Entropy

Saxes on stage for Ossia concert at Kilbourn Hall in Rochester, New York

Who goes to a concert dressed in white? Hundreds of kids were lined up outside the Armory on East Main as we drove by and ninety-five per cent of them were in white. I guessed it must be some sort of religious crusade but Peggi looked it up as I drove. It turns out it was the Rochester performance of Life in Color, “The World’s Largest Paint Party.” There is a dj, of course, paint is for sale and the kids are the canvas. Any more questions?

We were on our way to Ossia’s last concert of the season, something a few blocks but a whole world away. Each performance features five or six adventurous, modern compositions and there is always a knockout in there. My favorite this time was by Tristan Murail, a piece called “Ethers.” Two maraca players were stationed just off stage to the right and left and they shook throughout the piece. Murial has not merely composed the music but also the ambience within which it is perceived. The lead was played on flutes, the whole family of flutes, and he was accompanied by a string quartet and a trombone who function as the soloist’s distorting mirror. I was transported.

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