Posts Tagged ‘Paul Dodd’

Holiday Show

Saturday, December 17th, 2011

Two Paul Dodd drawings for ISquare show

A while back Zanne Brunner asked if I’d like to show some work in an upcoming show that she was organizing at the temporary art space in Irondequoit near the House of Guitars. Developer/dreamer Mike Nolan has some great plans for the lock of buildings at Tutus Avenue and Cooper Road. He’s bought up most of the block and has devoted space for a small gallery in the shop right next to the Chinese restaurant there. I dropped off the two charcoal drawing pictured in the blow-up of the photo above and I picked up a flyer for the show at the same time. I didn’t know they were calling it a “Holiday Show”! I probably wouldn’t have submitted something in red and green anyway. I was happy to learn Todd Beers, Edward Buscemi and Wendy Menzie were in the show. The opening is on Saturday, January 14th.

Wait For Valet

Wednesday, July 27th, 2011

Wait For Valet Sign in Rochester, New York

The people up on the hill had a party over the weekend. We heard the band and we live about a mile away, classic rock sort of stuff, old people music. Their sign looked kind of odd the next morning.

Gallery director, Bleu Cease called yesterday from Rochester Contemporary to arrange time to set up “Subterranean Surrogates,” my upcoming photo installation. I did RoCo’s logo a while back and I had a show there long before Bleu took over so I didn’t realize what a dynamic force Bleu is. He does everything over there and what he doesn’t do he arranges to have done right. He climbed off the ladder and on to the top of one of the walls in his flip flops while helping me block out the ambient light that was creeping into my allotted space.

I was there all day hanging the projector upside down from strings attached to the ceiling in the back room so the photos would drop into this space and fill one of the walls. Peggi was originally going to drop me off downtown but she made a run to JoAnne Fabrics to buy some black felt for the ceiling and she picked up a peanut butter and banana sandwich and pitched in on the ceiling effort while I balanced the projector. You would think four white walls with photos projected on one would be a pretty simple install but we were there until eight. Art is not as easy as it looks.

Get To The Point

Wednesday, September 29th, 2010

Paul Dodd Crime Face Watercolor from September 2010

As I noted here a few days back, we really enjoyed Anne Havens artist’s talk at the MAG. The slides of her work were beautiful. The presentation itself was a work of art. I did an artist talk there a few years back and I know how much pressure there is to add something interesting to the work that was created to speak for itself. You have to go deep to top your best efforts and Anne succeeded. Had I offered her the advice my buddy, Frank Paolo, gave me she would have had a perfect game.

Frank gives seminars on effective presentation techniques. I’ve seen him in action, knocking the socks off a large corporation’s top salesmen. Frank gets top dollar for a day’s work and any company would
realize a sizable ROI. When Frank heard I was doing this talk he invited me over for a few tips and I will never forget this one. “Skip the opening thank yous.” Frank says a crowd will never be more attentive then in the opening moments so don’t bring them down with obligatory thank yous to the stiffs in the front row. Launch right into your presentation.

We had our first painting class last night. It was full and two of the lost looking, new students asked me if I was the teacher. I said no and explained that the teacher will probably be late but it will be worth it. One of the older returning painters asked if I was still doing “those guys”. I said yeah and he asked if it was getting any easier. Of course I said no.

Fred Lipp spent most of his time with the new students. He has a habit of scaring off timid students and the classroom is guaranteed to be not as crowded next week. When he got to me he was as incisive as ever. He covered up the orange shirt on the guy pictured above and showed me my painting. Of course it much more effective without the distracting shirt. The point of the painting was all in the expression. “Always get to the point,” he said. I was stunned. So obvious.

As James Brown would say, “Hit it and quit.”

How Deep Do You Wanna Go?

Wednesday, February 11th, 2009

Paul Dodd drawing currently on view in the Drawing Show at the Creative Workshop
Detail from drawing currently on view in the Drawing Show at the Creative Workshop in the Memorial Art Gallery.

OK, how many fundamentals are there anyway?

There is a drawing show at the Memorial Art Gallery now. Margaret Explosion played the opening. We scanned the show during our break and intend to get back over there before it leaves. I take a painting class with Fred Lipp at the Creative Workshop in the basement of the gallery. They have just put up a drawing show of students and teacher work. The kids drawings are the best.

I had a class last night and came away with another one of Fred Lipp’s fundamentals. Fred suggested that I start with what attracted me to the piece.

He asked, “What about the source material makes you want to paint it?” I didn’t have time to reply. He said, “I’m assuming you don’t just paint them because they are there”.  I’m not entirely sure about that assumption. I have a high tolerance for the mundane. He was suggesting that I paint what it is that attracts me to the source. “Start with what it is that attracts you to this subject. Get that down first. And then ask what it is that the painting needs.”

This might be obvious to some people but I know I don’t do that. I ususlly start by trying to place the head on the page in the right proportions. And I certainly am not attarcted to a source because it has the right proportions. Turns out I’m getting in the way of my own paintings.

Endless Supply of Local Crime Faces

Wednesday, December 5th, 2007

Someday I will get off this dime and paint something other that local crime faces. We had our last painting class until after the damn holidays. I finished the one below and I took another one over to the annual members show at Rochester Contemporary. That opening is Friday. The paint was still wet and I didn’t have a chance to photograph that one.

Paul Dodd Crime Face painting

Paul Dodd “Crime Face” Oil on canvas 2007

Margaret Explosion plays tonight at the Little Theatre Cafe. I haven’t touched my drums since our last gig.

Mug Shots

Friday, November 16th, 2007

The girl who ran the cash register at Red and White on Park Avenue asked me if I was going to the David Bowie show that night at the War Memorial. I remember feeling guilty that I wasn’t planning on it. It was the first stop on his “Station To Station” tour. The next morning’s paper had a front page story about the felony pot bust that snagged Bowie, Iggy Pop and Rochester’s Chi Wah in a hotel room with the weed. Iggy didn’t play here or anything. I started a job that year as a graphic artist in the Crime Analysis Unit of the Rochester Police Department. My job entailed pulling mug shots for flyers in an effort to match perpetrators who lived in specified areas of the city with the crimes that were occurring in those areas. Bowie’s photo had recently been snatched but the record was still there.

Bowie Mug ShotZiggyStarBust is auctioning that photo now on eBay (Current bid US $2,225.00). He says his sick brother found the photo in the trash at an estate sale of a retired Rochester Police Officer and every penny will go to his brother. He sent the photo to the Smoking Gun first to get a buzz going. Click the photo for a blow up.

My job with the cops lasted one year and and they all lost interest in the project so I was left reading the New Yorker and hanging around. I got so anxious waiting for the day to end during this period that my doctor prescribed valium. I did develop a fascination for mugshots and have painted quite a few over the years. See Paul Dodd Paintings.