Posts Tagged ‘Philip Guston’

Satisfaction Is Nothing

Tuesday, January 20th, 2009

Doctor Burns has his own Joesph Cornell in his office in Rochester, NY

“Frustration is one of the great things in art. Satisfaction is nothing”. Philip Guston told it like it is.

It’s physically tough too. I sprained my ankle a few weeks ago running down the stairs with a painting in my arms. And for months I’ve been watching this dry red patch between my thumb and forefinger get more and more irritated. It’s on the hand I hold my palette with. In the last week I noticed a funky odor when I brought my hand near my nose. I googled “skin oder” and found all sorts of skin cancer links and stories about animals becoming aware of their owner’s cancer before doctors. So I called my doctor and he got me right in.

He had a Joesph Cornell like box on his wall and I took a shot of it. I explained that my palette used to be painted white but I have worn the paint off over the years. My doctor prescribed a low level topical steroid ointment. He said it was probably a reaction to the chemicals in the plywood and suggested that I give my palette a new coat of paint. I thanked him and gave him a post card for my painting show.

For Alice

Tuesday, January 6th, 2009


click photo for whole painting

I’m reading a book by Musa Meyer, Philip Guston’s daughter, called “Night Studio”. Wow. There’s a good chunk of therapy in there. It is impossible to be a great artist and a good father. Philip Guston is no saint unless you redefine “saint”. And I do. Saints, to me, are heroes. They are not all good and that makes them more godlike. Philip Guston is the patron saint of existentialists.

His late paintings are his best. They blow me away. What more could you ask for in a painting? They are meaty as hell, ugly and beautiful at the same time. And heroic. The MAG in Rochester has one of the late paintings called “Reverse”. It’s a painting of the back of a stretched canvas leaning against a wall. There is an incredible sense of form like R. Crumb. Probably a white wall but not in Guston’s hands. This is a whole environment. There’s a bare bulb from his closet childhood and a chain swinging like the light has just been turned on. The confrontation has begun.

This is my favorite painting in the Memorial Art Gallery’s collection and it manages to get better each time I see it. The MAG has put it in the best spot in the whole place. Its almost has its own room. And there is even a bench across from it, not some dumb piece of art but a bench you can sit on. Look for this painting.

What Are Your Plans?

Saturday, May 17th, 2008

If I was in NYC this weekend I would be headed to the “Philip Guston: Works on Paper” show at the Morgan. After that I would head down to the West Village to Gavin Brown’s Enterprise for the Elizabeth Peyton show. She is one of my favorite painters. If I was Andrea Stim and in NYC I would be up on the roof of the Metropolitan for the Jeff Koon’s sculpture show. We have been looking for an opening to get down there.

Lucky Duane, he lives there and last night he saw Suicide. He sent this report up.

Last nite in my old neighborhood, literally around the corner from my old apt, in a Polish disco, Suicide played. It was sort of intense in a different way than their shows can usually be. Marty was wearing the biggest pair of goggles I’ve ever seen, like something from a space-age motorcycle helmet with pitch black lenses. The rest of his outfit was almost too much to explain. Red satin Hip hop basketball jogging suit w/ a shredded blk t-shirt. Vega wore what Vega always wears, black. + a Knit hat on his head.

Marty started by playing a whole heap of white noise sounds – high pitched – with no rhythm machine. Then Alan announced that they were dedicating the show to Marty’s wife Marie who had just recently died. That was a shock, & even more so to me because just 1 min earlier I’d asked Howard why, when Alans wife Liz was always at the shows, did we never see Marty’s wife. No idea why that Q had popped into my head. And so Howard had just told me she died in Feb. Married since 1971.

The clubs PA was too small & I think Martys unusually raw & emotional playing was too much (maybe purposely) because for most of the show the sound was really distorted & the sound system auto-shut down a couple of times for like 2 sec. That was intense too, the sudden silence. Lots & lots of white noise, my ears are really ringing today.

Song titles that I remember – Dream Baby, Wrong Decisions, Cheree, Che, Stayin Alive, Ghost Rider, Death Machine.

At one point While Rev was playing all this noise, Vega was putting his mic into the speaker of Revs amp & rubbing it all around the rim, etc. Extra noise & distortion. They played about an hour, & got a long applause encore. At the end of the encore, after Alan had left the stage, Marty finished up with an overloaded white noise wall of sound & then took off his goggles & said something solemn into the mic about his wife, but it was so distorted & blown out I couldnt understand it. Kind of a loose, sloppy, & unfocused, one off type show. Good, not great. But a good Suicide show usually still has more than some other peoples great shows. We chatted with Liz before the show & went bk & said hello to the guys after.

That friggin neighborhood was just waiting for me to leave to become incredibly hip. This place was totally east euro cool/trashy, and the hottest underground club in NYC now is at the next corner down on Calyer street towards the river.

Didnt take my camera but Howard took some shots. There was a great point & shoot in someones hands there, nice big LCD & it looked like it shot some form of nitevision, but it was deep blue instead of green. The guy was too far from me & he left before the show was over or else I was gonna go see what it was. Howard noticed it too, we were both green with envy, so something that fits my needs could be out their waiting for me to find it.

Next weekend is Memorial Day wkd – what are your plans?

Hmmm. We are thinking about driving down to New York.