Two nights in a row at the Bop Shop. I wish I still bought records. I did look through a few boxes of 45s labeled “New This Week,” all vintage but in great shape, but I didn’t buy anything. We were there for performances by Amy Rigby on Friday night and then Hamid Drake and Adam Rudolph on Saturday. Hamid reminded us at the end of their set that we should all be thankful for performance spaces like this, an outlet for people with the courage to create. Drake was part of the first act Tom booked in his old space in the Village Gate and that was thirty years ago.
We have heard Hamid Drake with Fred Anderson and Ken Vandermark and Peter Brotzmann. He is a sensational drummer. Both he and Adam Rudolf played with Don Cherry, Yusef Lateef and Pharaoh Sanders. They learned from the masters. Years ago when Hamid played Milestones I asked him who his favorite drummer was and he told me it was Ed Blackwell, who he studied with. I reminded him of that conversation last night and he said he had moved on from Blackwell’s influence because he felt he was sounding too much like Blackwell, as if that’s possible. His mentor, Yusef Lateef, taught, “the tradition is to sound like yourself. To play your aboriginalness.”
Hamid says he “has been developing a hand drum concept on the drum set while Adam has been developing a drum set concept on his hand drums.” They played one long but perfectly controlled set and finished with a mesmerizing piece where Hamid sang a Buddhist chant while playing a frame drum and and Adam played sintir while throat singing backups. Despite subscribing to music streaming services, we bought their new cd,”Karuna.”