In Netflix’s extras for the new Pinocchio, Guillermo del Toro’s shows us some of the puppets used in the making of his retelling. Many are at different scales to suit the character that Pinocchio is being stop-motion-filmed with, but there are dozens at the same scale, each with a different facial expression. Del Toro says the models were printed so I assume they are plastic. I had a Pinocchio mask when I was young that I wore on Halloween. I loved the Disney version, the trip to the bad boy island especially, and I am almost afraid to watch it again. I’m quite certain del Toro’s is much richer, no matter what your age.
The Colorblind James band, the classic lineup without its leader, performed again at Abilene. There are no new songs in these performances as there was in the heyday, when Chuck was consistently churning out classics, but these songs have a whole lot of life left. They transcend Chuck’s self-described “circus rock” genre. I took that as classic, old world aspirations. Chuck was a troubadour and his poetic lyrics transcend time. His songs, performed by his band, sturdy musicians who have only gotten better over time, continue to touch your soul. Chuck’s songbook is in the most capable hands of his son, Mark. Mark is a better singer than his father. Chuck would love that! He handles the material respectfully and the same sly, wry humor shines. Long live Colorblind!1 Comment
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MoMA was full of puppets from that movie when I was there last month.