If I was going to open a business and my name was Dick Ide I would probably change it but he is the number one Honda dealership in Rochester. I had a Harry Ball on my paper route. I wonder what happened to him? Is it just me or does the heat sap your meager allotment of creativity?
We devoted a week’s worth of time and energy to ridding our backyard of wisteria. I posted a picture about ten days back of the mother plant. It had wrapped around an oak tree and grown to the top of it where blossomed each Spring, so high up we couldn’t even appreciate it. And then it would grow those big brown seed pods that would fall, pop open and sprout new plants all over including our neighbor’s yard. That was the real motivator here. The plant is invasive and it had invaded his yard.
We cut the towering plant at the base and then started tearing out the runners (shown above) which were thirty feet long in some cases. They would send down roots every sixteen inches or so and maybe very other time they would send up more shoots as well so they were really tough to pull out of the ground. We are sore all over.
Mercy flight at Strong Memorial Hospital in Rochester, New York
We watched this helicopter take off and then land again at Strong Memorial Hospital. They call it the Mercy Flight and they scoop up critically injured people and whisk them to the rooftop of the Emergency Building. The guy in the bed next to Bill, who we were visiting in his temporary ICU room, was groaning and clearly not happy with his new, brain damaged condition as a result of a motorcycle accident. And Bill called the nurse in the middle of the night when a patient near him went blue. This place is not for the faint of heart. Bill had a tumor removed and a lung shortened in the process. He’s optimistic and ready to walk out of there on Wednesday. So many things can go wrong with the human body and most of them eventually do.
Jeff Munson art in 2012 Rochester Contemporary 6×6 show
Art is something you do as testament to being alive. And responding to art is proof that we are alive. The proof is in the art. Art that celebrates the mystery is particularly effective. I really like these dreamy red pieces in the annual 6×6 show at Rochester Contemporary.
Car with tiny stuffed animals in Rochester, New York
I spent quite a bit of time at Strong Memorial Hospital recently while my father was having an operation. I don’t have a cell phone so I rely on wifi for keeping in touch and they have a free wifi conection there, just the way it should be everywhere. The hospital is huge and the buildings have just been piled on top of one another over the years so you follow color coded signs to get around. They are Rochester’s largest employer now have their own mini-city infrastructure just the way Kodak Park used to.
In the waiting room I sat next to a handicapped person who held his iPhone right up to one of his eyes so he could read it. I mean his eye was pressed against the retina display. He was using Siri to dictate emails to relatives so I heard commands like, “Thank you very much for kind thoughts period.” and “Have a great day exclamation point.”
Golf swing without a club across from the Plaza Athletic Club in Rochester, New York
OK, we were earlier than we had be to line up for the French Miles Davis “Bitches Brew” era band, Mederic Collignon, so why wouldn’t a city bound golf nut choose to entertain the queue with mime golf? They were outta sight btw.
Kid’s room at Lutheran Church, one of the venues for the Rochester International Jazz Fest
Funny how no two people hear the same thing. We are so lucky this is the case. After Terje Rypdal’s performance last night we were talking to a friend who was disappointed he didn’t hear more Terje Rypdal solos (he only takes two in his score for “Crime Scene”) and then a comment to yesterday’s post about the abundance of solos. The beautiful bass solo at the end was one of our favorite parts in the score.
We checked out the lineup for last night before leaving the house and Peggi said, “When the choice is between music that transports you and music that doesn’t, there really is no choice.” So like a broken record, there we were in the front row for performance number three by Terje Rypdal and the Bergen Big Band. It sort of amazing to watch them virtually clear a house. No more than fifth of the people in attendance make it to the end.
A true crime buff, Peggi had scripted all the parts of this masterpiece in her head. She knew when the crime happened, when the getaway occurred, when the crowd was just standing around gawking and then of course when the crime was eventually solved. The Jazz Festival pulled out all the stops in booking this incredible band.
We were talking to the band leader after the forth show and he told us how they had played with Joe Henderson and Maria Schnieder and so many others but they absolutely loved touring Europe playing the non-traditional arrangements Terje had written. There were no sax solos, only parts with plenty of room for movement, and then sections that heaved and dug deep into Terje melancholia. This gets our vote for best movie we never saw.
Terje Rypdal with Palle Mickkelborg at the Rochester International Jazz Festival
We primed ourselves for Terje Rypdal’s Rochester appearance by listening to his 1975 album, Odyssey, the one with him smiling, sitting in the back of an open van with his guitar and equipment. We grabbed front row seats in the Xerox Auditorium, right in front of a an orange-red, Fender Strat with a whammy bar on a stand between stereo Vox amps. Terje performed most of his 2010 recording, “Crime Scene,” with Bergen Big Band (a thirteen piece horn section with two bass clarinets plus drums) set up stage left and his core band (Hammond B3, electric piano, addition guitar, bass, drums and Palle Mikkelborg on trumpet bathed in reverb) stage right.
The 20 piece band came out first and then Terje, 38 years after Odyssey, with the support of a cane. Terje’s trademark sound has a distinct mood that has not changed since the seventies and his score for big band has only made it darker and richer. We felt like we had entered a dream state and I kept finding that my mouth was hanging open. This wild music is strangley comforting. We caught both performances and plan on hearing again tonight at the church.
I’m keeping track of this year’s Jazz Fest over here.
Big Wisteria plant in backyard, Rochester, New York
I used to think wisteria was beautiful, the bubblegum sweet purple flowers that used to burst open near Memorial Day but pop a few weeks earlier now, but not any more. I’m done with it. Our house came with this mother of all wisteria plants climbing up a giant oak tree out back. It appeared to be strangling the tree but it still has green leaves. The real problem is we have hundreds of other baby wisteria plants all over our property and I suspect they are all connected to this mother plant. I started with a hand saw and then got out the chainsaw to finish it off.
Pedrito Martinez Group on break outside the big tent at the Rochester International Jazz Festival
We stopped by the back of the big tent to listen to a bit of Pedrito Martinez Group. We were sort of afraid to go in the front door because the group had been so loud at their Montage show that they chased people out the doors. The next thing we knew, three of the members came out the back of the tent while Pedrito was doing his percussion solo. I was amazed how quickly they pulled out their smart phones. The cowbell player (in the blue), a key player in Afro Cuban music, invited us back in so we took in the rest of their show from the side of the stage. They sounded fantastic.
Street band in front of Greenwood Books on East Avenue in Rochester, New York
I like popping the SDHC card out of my camera. It’s spring loaded and it sometimes flies across the room. I shoot pictures reflexively and I’m often surprised by what’s on my memory card but this one blew me away. It’s a bad photo, a flash shot at dusk and it is out of focus, but it looks like a found photo. The kids’ hair style, their clothes, the instruments, the colors, the setting all look mid-century. It looks like one of those square format pictures from Kodak’s first plastic cameras. I had one of those and this looks like one of my old shots but this was taken last night on East Avenue. To top it off the kids were doing a Miles tune, “Four,” from the fifties.
Street band in front of apartment building near Abilene in Rochester, New York
We were the first ones in line outside the Rochester Club for Luca Ciarla Quartet while the line for the Cuban band at Kilbourn, a show that started at the same time, had already wrapped around the corner and was confusing itself with the line we started. The “Mediterranean Gypsy Jazz” moniker works well for these guys. Laid back, warm and friendly, their personalties carry over to their sound. The crowd went nuts when violin, accordion, double bass and hand drums got into overdrive but they kept the volume in check and always followed it up with something sweet. From Monk to Nino Roto like tunes they reached beyond the gypsy songbook. The accordion player was outstanding.
The line we found in front of Harro East (remember when this place was the Triangle Theater and Wease worked the door and they had all those great reggae acts?) was gone so we stopped in for few songs. I like Catherine Russell’s great voice when she’s not belting it out.
We were kind of looking forward to the Monophonics, the “psychedelic soul” band from the Bay Area. I liked the single we listened to in the iTunes store, a real digital single, two songs for $1.98 and packaged with a big hole 45 and off white sleeve graphic. But, damn, there was nothing psychedelic about them. They were as loud as hell. The guy in front of us had his hands over his ears until he left. The tent was packed with glum looking people in plastic chairs. The gruff vocalist behind the B3 managed to get seven or eight kids up dancing to “Slippin’ Into Darkness” as we slipped out the back.
We were talking earlier to a fellow Jazz Fest passenger, a stranger, who said he has a problem with the Xerox venue because he always falls asleep. The auditorium’s warm sound is perfect for some acts and Jacob Fred Jazz Odyssey is one of them. Man, did they sound great! Like the Flaming Lips, a fellow Tulsa band but on the rock side, they are adventurous. Aptly named, the Odyssey wander all over the musical map, with songs arranged but open like a free-range playground. We’ve seen these guys at two earlier festivals and they keep getting better and crazier.
Kid trumpeter in the alley behind the Eastman Theater in Rochester, New York
The couple in front of us in the line for Tom Harrell were like a bad trip. The woman was dying to talk, to anyone, and there we were. I tried to give detached answers to her questions but when she asked me if I needed help threading the cloth lanyard through my jazz pass I just said, “No,” in a scolding tone.
Behind us a mom was helping her son set up a busking station. She even chummed the waters or primed the pump by putting a dollar bill in the open trumpet case. She probably dressed him too because he looked like he had stepped out of a Norman Rockwell painting. As he warmed up his lip the guy in front of us said, “Maybe he’ll use the money for lessons.” The kid played the theme to an Ellington song and I clapped. The guy said, “Don’t encourage him.”
Pink and blue chairs at Jazz Fest in Rochester, New York
We made an extra effort to get out early on the first night of Jazz Fest 11 and we were in good shape for down front seats at Kilbourn Hall for the bass player Christian McBride but word spread that he was stuck in Newark airport due to wind. You’d think McBride could have made an extra effort to leave a few hours before the show or just driven up here.
Hatch Recital Hall, the newest addition to the Jazz Fest venue list is easily the best sounding room in the line-up. It’s not a room, it’s a performance space and it only holds about two hundred people. It’s like sitting in front of a big speaker but in this case the tweeter is a Steinway Grand and the woofer is a gorgeous sounding stand up bass in the capable hands of Canadians Don Thompson and Neil Swainson. They have played together for thirty years and know over two thousand songs so they were melodic and lyrical as twenty first century musicians can be.
We had seen “Get The Blessing” before at an earlier Jazz Fest and we gave their straight ahead trip hop a second try. Elements of jazz, the two horns, with plenty of effects on top of a clubby rhythm section in the cavernous Christ Church seems like it could work. The drummer and bass player had success with Portishead but here their instruments had a wide dull rumble sound like a rock band down the street rehearsing.
Goran Kafjes Subtropic Arkestra at the Lutheran Church borrowed the the name of Sun Ra’s band. They built their songs around somewhat repetitive keyboard progressions and with seven players they managed to sound like a big band but they didn’t swing like Ra or visit the astral planes. Jonas Kullhammer was in the band which was sort of odd. He was such a dynamo with his own quartet in years past. But still I liked this band quite a bit. It was trumpet player, Goran Kafjes’, birthday and their music was fun like a Bollywood soundtrack.
Ingmar Bergman comes from the Faroe Islands and there is something of that austere quality in Yggdrasil’s delicate sensitive music. Like the early, hippie, new age ensembles Paul Winter Consort or Oregon, they look for inspiration close to the earth. Yggdrasil performed a beautiful nine part piece devoted to the Inuit and Native American tribes of North and South America. With chanting, piano, bass, flutes, violin, drums and an electric guitar player in a Pink Floyd shirt they were quite extraordinary.
John Gilmore emailed us with a Breaking Bas-ass prediction. He has been rewetting all the old episodes and says the swimming pool in Walt’s back yard keeps popping up and will probably be the last shot of the final episode.
You know how sometimes you read something or hear someone express something that you is true but you have never heard it formulated so clearly. This Robert Irwin passage from the brilliant “Seeing is Forgetting the Name of the Thing One Sees” has really stuck with me.
“As the questions go up, the performance level goes down — and that’s natural, because people don’t yet know how to act on those questions., they’re stumbling around in a fog — whereas when performance goes up the quality of the questions tends to go down. So while the objects that Kazimer Malevich and Vladimir Tatlin (Russian Constructivists) came up with may not have been particularly sophisticated as objects — they weren’t Stellas, or anything — they were absolutely loaded in other ways. Man, we’re still feeding off their questions. Those guys were soaring.”
I like the trade-off and it pretty much explains the attraction of punk rock or so-called primitive art.
Occasionally I check the stats that come with my WordPress blog. I don’t care about the numbers but I find the “Search Engine Terms
(terms people used to find your blog)” very interesting. I assume these are people who are interested enough in a particular search term to drill down to the PopWars entry on that topic but I don’t really know.
Today these random visitors were looking for “Keith Richards 1973,” Marlene Dumas,” “Snake Sisters Cafe Rochester,” “buffalo ’66 christina ricci,'” “beast dance cd,” “free budweiser wednesday,” “freedom village use bankruptcy,” “Buddy Holly last photo,” “burdock vs rhubarb” and my favorite “bike in bushes.”
I’m sitting in the waiting room at Jerome’s while they do an oil change and try to get to the bottom of the “check engine” indictor that went on while we were driving back from New York. The mechanics usually have right wing radio on in the back but it sounds like AC/DC this morning. But maybe that’s coming from one of the nearby shops. The old PCI Studios is right next door and Elite Bakery was right next door to PCI. I grew up on Brookfield, a few blocks away, and this area always feels like home to me.
I tried to help my painting teacher with his computer yesterday and I’m still recovering from that. His machine was top of the line in 2000 but it is now worth $72 used. I looked it up. The dvd writer, not a combo drive but one that could only write dvds, still reads dvds but it doesn’t recognize blanks. Could it be the new dvds have too fast a write speed for the old writer? I decided to order a new IDE combo drive, $32 plus shipping from Other World Computing. In addition The Daily Show and PBS both have changed the way they stream Flash content and his old browsers could no longer play content form those sites because the newest Flash plug-in is not compatible with his system. I found someone online who had hacked the plug-in so I installed the hacked version and it seems to work for now. Last thorny problem was his system continually asking him for his keychain password. An insatiable demand. I killed that.
Frank DeBlase Hula Hooping at his anniversary party in Rochester, New York
I used to compete with my sister trying to out hula hoop her and I got so I could keep it up for hours. Not any more. Peggi and I tried last time we in the Skylark and I could not even get it going. Frank DeBlase made it look so easy in the driveway of his home.
They have a Russian Constructivist garage out back where Anonymous Willpower played a two hour set of sizzling Bowie style soul with some choice covers. My favorite was their Smith take on the Burt Bacharach penned Shirelles hit “Baby It’s You.” All that was missing was the old WSAY dj dedication, “This song goes out to Frank and Deb on their fifth wedding anniversary.”
We staggered our spinach crops but it is all going to town now. It does better in the early Spring and the heat is too much for it so it is all going to seed. We’ve been eating spinach every day for the last month. Had it for breakfast a few days ago. I picked a Wegmans bag full tonight and Peggi made an Indian dish. Cooked the whole bag down to two servings. I rinsed it in the kitchen sink and while the water was running I thought I’d run down in the basement and clean our cat’s dirt box. I must have forgotten to do it yesterday because it was a mess. When the water started coming through the ceiling into the dirt box I remembered I had left it running upstairs.
Digital installation by Paul Dodd for Pyramid Art Gallery Show in 2001
How long ago was 2001? It feels like the dark ages in digital time. The internet used to be more fun and it held out the promise of even more fun. Maybe it’s just me that has changed. I can always snap out of it.
I came across this link to a digital installation that I did for a Pyramid Art show back in 2001. I had a Mac on a table running Internet Explorer in full screen mode and this series of pages went round and round. It sort of bothered me at the time because the piece had nothing to do with the confines of the gallery and could just as easily have been viewed in the comfort of one’s home. This was the virtual age and the computer just looked clunky sitting there. The last thing you want to do in a gallery is get on a computer.
There’s no Flash involved or anything but I remember struggling to get the various movements to work across platforms. The Pyramid and the show are long gone but this piece is still out the floating around. I’m afraid to look at the code but it still seems to work.