
In conjunction with their current show, SANCTUARY: Borders and Belonging, RoCo screened the Rochester portion of the When They Come for Me documentary last night, a short but intense locally centered excerpt from the full film. As one of the speakers said, it is not just happening out there but right here. Metro Justice, whose roots go back to 1965 when, as Friends of FIGHT, they fought to get Kodak to hire people of color, was the cosponsor. After the film, we heard from representatives of seven or eight groups who are on the front lines fighting this good fight.
Alianza Agrícola, helping farmworkers; Keeping Our Promise, helping Iraqis and Afghans who assisted US troops; Protect Irondequoit Neighbors, working to convince “local”border town” leaders not to coordinate with ICE; Worker Justice Center of New York, working to get all of Monroe County designated as a sanctuary; NYIC (New York Immigration Coalition); a group whose name I didn’t catch but who have a space near the Monroe County Jail and are looking for teachers and ESL workers to take care of kids; and, of course, Metro Justice.
Pamela Dodds from Halifax has beautiful large etchings on the front wall of the gallery. They look like conceptual art pieces at first glance, but you quickly realize these are functional border fences from around the world, most of which have been constructed in recent years, a testament to the influence of the US. We need to come back to study these.
Jim Mott has seven foursomes of black-and-white acrylic paintings of detention centers, most based on his photographs of facilities he has visited. He told us this was the first time he really looked forward to going into his studio to paint. Tom Policano has black-and-white photos of farmworkers taken all around the country after he received a New York State Council on the Arts grant. My favorite piece was in the small gallery at RoCo, the Ludmila Begley rough-and-tumble drawing above.
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