Elizabeth told us a few times that if we ever sold our house in the city she would buy it. The thought was unthinkable but twenty years ago it came to be.
She recently contacted us to say two letters, addressed to us at her address, had come from a Paul Taylor. She left them between the two front doors and we eventually picked the letters up. We learned Paul had moved back to the area. He included a photo of his on an invitation to a dance performance he commissioned at MUCCC.
We left the house for the 8 o’clock performance just minutes after watching Spain defeat Uruguay. Our names weren’t at the door but we went in. The house was full and we took two seats down front, close enough for one of the dancers to brush my leg. We looked around for Paul but we could only vaguely remember what he looked like forty-five years ago when his wife, Jeanne, danced behind the screen at Personal Effects’ multi-media show at the Community Playhouse.
There were nine short pieces. Some cringe but mostly startlingly good performances. A Taiko drum and wood block piece performed in coveralls and a dancer in a backlit, scrim-covered cage performing to a spoken-word piece. Paul Taylor”s piece performed by Claire Spenard to Jonah Kreitner’s atmospheric “Spiral Jetty” was our favorite. Spenard’s opened her piece under a blanket and with equally physical and graceful movement she shed the blanket, commanding the space in a dreamlike dance before rolling herself back up in the blanket.
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