Amish or Mennonite people on Charlotte Pier in Rochester, New York
Brexit was all anyone wanted to talk about today. That and the hit their stocks took. Texit is next. It’s also the first day of Jazz Fest in Rochester, a perfect day for my camera to go on the fritz. Maybe it’s time to end my obsessive documentation of the acts we catch.
Sun glasses on the back of someone’s head in New York airport
I hate everything about airports, the security, the expensive water, the waiting and mostly, the people. No one is at their best in this situation but these places seem to attract creeps. This guy was sitting behind me and I snuck a few photos of the back of his head.
Spain had possession in the seventy percent range for most of yesterday’s Euro Cup match with the Czech Republic and yet they couldn’t get through the final third to the net until the final minutes. Most of the match was played in that zone, lateral passes that were beautifully executed, back and forth until Iniesta poked one through. Some players are smarter than others. They are always in the right place even when they don’t have the ball and they always know where everyone else is when they do get the ball. Iniesta is brilliant at this and a joy to watch.
My father was scheduled to do a repeat of his presentation on Edmunds Woods on Saturday afternoon. The Brighton town historian filled in for him and she talked over my father’s slideshow. It was a small crowd that gathered in the park shelter next to the woods but it was a giant reminder of my father’s former presence. He had mapped the wildflowers, the trees and the wildlife of the this tiny bit of remaining old growth woods. He began calling it “Edmunds Woods” after the family that worked the near farm and we hear the town is planning to officially designate it so.
Fruit tree wrapped for protection in Mallorca Spain
I hadn’t had an IPA in a while so I ordered one when sat down in the Uptown Brasserie at JFK but they were out of the Goose Island so I went with a Stella Artois, something that tasted exactly like the Spanish beers we had been drinking for the last few weeks. We sat near the window and had an ocean view. They were playing jazz on the sound system, Chet Baker, Duke Ellington and piano standards. We found an oasis on our way back to Rochester.
Back home we were stunned by how green everything was. Not just green but lush and overgrown. Pink Rhododendrons in full bloom. And it’s now impossible to see our neighbors through the backyard trees. If I could walk like a normal person I would be out in the woods with my tick-guard on.
The Famil of Charles IV by Francisco Goya at the Prado in Madrid, Spain
El Prado is magnificent. But it is too big. There are too many paintings here. It is a struggle to preserve your visual energy for the great stuff and not wear yourself out on the mediocre. Not even every Goya is great but most are.
We tracked down our favorites, the sculptural Rogier van der Weyden’s “Descent from the Cross”, Durer’s “Adam And Eve”, Quinten Massys’ “Christ Presented to the People” and Raphael’s “Portrait of a Cardinal.” All these were primers for Zurbaran, Velázquez, El Greco and finally Goya’s “3rd of May,” his giant portrait of the royal family (shown above) and his incredible “Pinturas Negras.” The best Goyas are by no means stuck in time. They are so full of life, they make you laugh. They remain contemporary because no one else can paint like him.
Our map app delivers surprising results in Madrid. When we plot routes between places the times via “auto” are longer than those via “walk.” Madrid, in the old part, is that kind of city.
The streets of Madrid were empty last night. The bars were full. Atlético was playing Real in the European club championship. We sided with Atlético but the match could not be settled in overtime and went to Real Madrid with penalty kicks. Ronaldo struck the decisive blow and the streets erupted.
Are we supposed to be dumbfounded? Peggi and I were going to school in Indiana when Bobby Knight was in his prime. It only figures that guy could do Trump some good. And how about this first family? I find them far more interesting than the Kardashians.
Brush pile in farm field along Lake Ontario Parkway
Peggi and I have been doing some serious housecleaning. Working our way to the bottom of piles that have been building up for years, sorting though my parents business affairs, dividing our iCloud documents between our two separate IDs, preparing for a new bookshelf that is being made to order and looking for two old journals that we can’t seem to put our hands on. They contain notes from our trips to Spain and we had the bright idea to consolidate all ten journals into one document. Well, the tenth one hasn’t been written yet.
We came across an old business card, one for our business. The original was done on an Atari ST. Bit map was big. Our next computer was a MacII. We were setting postscript and there was no going back. We’ve been fans of Apple for a long time and we’re still trying to convince ourselves that their best days aren’t over. That’s why they call us stockholders.
I love my watch. This iCloud thing, though, is problematic. The infrastructure is not here yet. I’ve been trying to upload my photo library for two weeks now. All I wanted to do was share the library on another mac, the way I used to with iPhoto but Apple removed that feature when they rewrote the program they now call Photos. How and why were they able to use such a generic name? The only way to share now, even locally, is to put everything in the cloud. And the photos are getting crunched on the way up. I’m sticking with Flickr as a BU and probably could have just shared through Flick but I’m getting with the program. Meanwhile, no Netflix streaming, no YouTube. I can barely get a map to paint up. I wish my neighborhood had Greenlight. I plan to work on that. TW cripples our upload speed.
I went out on a limb back in ’08 but I’ve pretty much stayed away from politics here. I will say we have watched almost all the debates. Some were a lot better than others. I fell asleep in the Clinton Bernie bash last night. We haven’t gone out to see any of the candidates in person. Cruz is here today but that wouldn’t be much fun. There’s a green house around the corner that has been flying a yellow snake flag for the last few years and his neighbor just put up up a small homemade sign that reads, “Billionaires Can’t Buy Bernie.” He put it right on the edge of his property line and faced it not out at the street but toward his neighbor. New York is in play for the first time in a long time and we are having fun with it so far.
There is an old horse path that runs through the undeveloped part of Durand Eastman Park. It’s a beautiful trail that hardly gets any use although it did get a lot of attention when Bulldozer Man drove part of the trail with his earthmoving moving equipment about five or six years ago. Not a park employee or anything, just a private citizen, he atempted to clear the trial again for horseback riding. Some alert woods-walkers notified Larry Staub, the director of the Monroe County Park system. At one point this path skirts a cluster of homes and this statue stands behind a house at the edge of the woods. The base rotted out and he was laying down for a while. I probably have a picture of that on this blog somewhere. I keep track of that sort of thing.
We always had a statue of Saint Francis in the house when I was growing up and I have one today near my desk. My youngest brother youngest brother was named after him. The Paton Saint of animals and the environment, he is one of the church’s favorite saints and is usually pictured in a brown robe, sandals and a rope belt with birds on his shoulder. Born Giovanni di Pietro di Bernardone, he is the patron saint of Italy. He is reported to have received the stigmata during the apparition of Seraphic angels in a religious ecstasy making him the first recorded person to bear the wounds of Christ’s Passion.
Peggi took the survey and then I tried but the SurveyMonkey software told me I had already taken the survey. One to an ip address. So we went to the meeting at the town hall tonight expecting a crowd as big as the coyote meeting but it wasn’t even close. Instead of a simple, straight-forward plan to lay down bike only lanes on the main thoroughfares of Irondequoit (Titus, Culver, Hudson, Goodman, Portland, Saint Paul) we found charts and maps and big print-outs of photos of certain intersections all laid out on tables. It felt like a grade school presentation.
And when we pushed the issue, striped, bike-only lanes on these main thoroughfares, with any the attendants they told us the county is in charge of the main roads in the town. The town is simply repaving the roads and then re-striping them, not reconfiguring the size or shape. The county has has stats on the numbers of vehicles and the geometry of the intersections and they configure the lanes at intersections based on that. We learned the town was only collecting data. A few bike riders will need to die before get bike only lanes.
Jill Gussow sewn faces at MCC Mercer Gallery in Rochester, New York
Preferring to see the hand of the artist I especially liked seeing Jill Gussow’s current show at MCC’s Mercer Gallery, “Antidotes and Such.” She has hand sewn every object in the show. Some are clearly faces but other, unidentifiable objects feel familiar and ancient at the same time like the handiwork of a lost tribe. Equally playful and pretty, hand stitched and cut like Mexican molas with embroidery. This show is a delight.
We’re lining up our route for First Friday tonight. I know we will start with Peter Monacelli’s show at Warren Philip’s Gallery and I’d like to see Lin Price‘s paintings over at Axom, across from the strip club on Anderson Avenue. From there we will follow the wind.
Black Mountain School show at the Hammer Museum in Los Angeles
The Hammer Museum on the UCLA campus can usually be counted on to deliver the goods. Their current show, “Leap Before You Look: Black Mountain College 1933-1957” is made up of work from both students and teachers. The school in the Blue Ridge Mountains set the template for art schools today. Its first director was Josef Albers who had been educated in the Bauhaus School but was forced to flee the Nazis that same year. He came here with his wife, Annie, and she was a force of her own. Brice Marden has made a career of her work.
Motherwell, Franz Kline, Jacob Lawrence, Rauschenberg, Ben Shahn, Ray Johnson, Buckminster Fuller, Elaine and William de Kooning, Merce Cunningham, John Cage, Eric Satie, John Altoon and Robert Creeley all taught or were students here.
There was no house style, no uniform trend to art making here. Albers encouraged students to look longer, to see how something was made and to understand how visual information can be manipulated. Founded in the Depression and open through WWII the school had a Utopian culture of scarcity, an ethos of “making do.” I would enroll if it was still open. This show was the next best thing.
We used Uber for the first time to return to the canyon and hopped in my sister-in-law’s car for a drive to Venice in time to watch the sunset from our nephew’s office, the Swell headquarters. We had dinner at the “Tasting Kitchen” and walked the magical canals on the way home. Why do you think they call it Venice?
We were running out the door this morning, to meet with the lawyers that are handling my parents’ estate, and I had my jacket in my hand. I didn’t take the time to put it on in the house. I was too busy reading the paper. The zipper in my jacket got caught near the bottom of the door to our house and I couldn’t free it. I couldn’t open the door either and the key wouldn’t turn the lock. I tried ramming the door with my shoulder. That didn’t work either so we left. I had a hat on but no jacket in the middle of winter.
But that’s another thing. What kind of a winter is this? Imagine if you were on the high school cross-country ski team. They’ve had one week to ski. In that week I did notice that cross-country is a co-ed sport. I should have figured that out in high school.
We had lunch at Joe Bean. Ran into Fireball Jr. and Linda from Parkleigh. I was still running around without a coat. We stopped in to see my mom in her new digs and signed a contract for her room and board. When we got home I went down to Jared’s place and borrowed a pry bar to pop the door open and free my jacket.
In the dorms back at IU we used to “penny” people in their rooms. We’d lean on the closed door and push pennies into the space between the door and the door jam. Guys would be locked in for hours. Peggi and I were essentially pennied out of our house.
The most efficient way to to store stuff is digitally. After that there is flat filing cabinets. I put my father’s old cabinet in my studio and that set off a chain reaction of purging to make space for the new. Out with a pile of paintings and older work, sifting through piles of junk and then into the closets where we found boxes of 4D Advertising samples. All to the trash. Now, what about this box of teeth molds that our former neighbor, Leo, an orthodontist who often worked out of his house, left in his basement when he passed? I took a photo and thought about Leo.
Phil Marshall has a rubber soul. We are friends and have played together but I was not aware of his Beatle affinity. We recently donated to his Indiegogo CD project. Our level entitles us to have Phil as a guest on a podcast. Our promo copy of the cd arrived in two versions, “Scatterbed,” fleshed out tracks with guest musicians, and “Scatterbed Sleeper,” basic tracks of guitar and voice performed simultaneously, described as “the album in its rawest and most immediate form.” Both are produced by Chris Zajkowski and they sound fantastic.
While in hospice my dad occupied a scatterbed at St. John’s. He filled an open bed on the fifth floor next door to long-time nursing home residents, wanderers and people who talk non-stop in non-sequiturs. This is David Greenberger Duplex Planet territory. We intended to engage Phil to play music for my father while he was there, a few Johnny Mercer songs between the madness, but it never happened. Phil is a professional music therapist, what must be a heroic profession. “Scatterbed” arrived two weeks after my dad’s passing and Phil’s self described “reflection on loss, grief, faith and the lack thereof” resonated big time.
Our listening session began with “Sleeper,” the basic tracks. The first song, “Heaven is Waiting,” made me cry. As rich as Gershwin or Nilsson. The rhythm guitar in the next song, “Black Ice,” immediately called to mind Beefheart’s, “Harry Irene.” “In the final instant, Beyond all love and fear, Is there a perfect moment, When everything is clear?” “Faith,” which is inevitably called into play in the final hours meets a worthy opponent. “Faith, I doubt, is true, Faith, in love I do believe.” “Ebb And Flow’s” innocence echoes the Velvet Underground’s “After Hours” as it looks death in the eye. “Surrender it all to ebb and flow.” I’m quoting the lyrics here but, more importantly, Phil’s gorgeous melodies get under your skin and stay there.
Our session was interrupted so we started over the next day. “Sleeper” to “Scatterbed” full blown. I found myself thinking not only of my father but our departed painting teacher who also left a huge hole a few months back. We let a week go by and played the two in reverse order. “Sleeper” speaks more clearly, more directly and I am thankful to have a copy. For me the ideal transition from “Sleeper” to “Scatterbed” would have gone more raw, more fragile and more vulnerable. But then, Stella, our eighteen year old cat is in hospice as I write this.
Gary Pudup, a former sheriff and head of the local ACLU chapter, is very active in New Yorkers Against Gun Violence. When he ran for office we tried to support him by posting a NYAGV sign on the road behind our house. Someone stole it in the first week. Gary lost his race but we are still friends. He and his wife come to every Margaret Explosion performance.
Last night the Little Theater screened “No Control,” a documentary about gun violence, and Gary brought in the head of the statewide group and a photo journalist for a discussion. Joe Quint’s photos were really powerful. “No Control,” the movie, was a little messy. They contrasted an anti-gun artist with a pro-gun, freedom loving, Cody Wilson, who was busted for making the downloadable plans for a 3D printer gun, “The Liberator.” I didn’t care for the artwork and was kind of drawn into Cody’s open source argument.
My father gave me a Kodak Instamatic in 1969. It was my first camera. Left to right, top to bottom, my mother, my brothers John and Fran, my friend Brad Fox, Joey Occhipinti with the soccer ball, another Occhipinti with the basketball, my friend Dave Mahoney, and three neighborhood kids with toy guns. Tim Meisenzahl, at the bottom right, was dad’s financial advisor. I think my dad actually started with Tim’s dad. They lived across the street from us when I took this photo. I have to bring my dad’s death certificate out to Tim tomorrow and settle an account he had with Wells Fargo.
“Hitchcock/Truffaut” played to a packed House at the Dryden Theater last weekend. The 2015 movie based on the the 1962 week-long interview François Truffaut conducted with Hitchcock. That interview, the greatest cinema lesson of all time, became a book, a “bible” to filmmakers. The movie is footage from the interview. footage from Hitchcock movies along with commentary from Martin Scorsese, Kiyoshi Kurosawa, Wes Anderson, Richard Linklater, Paul Schrader and, of course, Peter Bogdanovich. The Hitchcock quotes are mint. “Logic is dull.”
When we were coming down to Manhattan with the band in the early eighties the gallery scene was clustered in the loft spaces of SoHo. Clothing designers moved in, the gritty old factory spaces went upscale and the galleries moved out. Today there are a hundred or so galleries in a five block area of Chelsea and although the art market is richer than ever or maybe because the art market is richer than ever the real estate values in that part of town are going though the roof. So galleries are are closing shop or moving out.
The big galleries that remain are becoming small museums with suited guards and blue chip artists. Just today we saw shows by the op art queen, Bridget Riley, the minimalist champion, Donald Judd, giant photo emulsion paintings from the nineties by Robert Rauschenberg, career spanning work from Brice Marden in three different Matthew Marks galleries, twenty five large Jeff Koons’ copies of El Grecos, Rembrandt, Van Gogh, Manet and Picasso, each with three dimensional, blue reflective globes mounted directly in front of the paintings, a move that struck me as John Baldesarri without the humor.
Claes Oldenburg is still doing three dimensional, oversize, soft looking everyday objects and easily filled gallery with new work. We sat in Mary Hielman’s brightly colored chairs in the center of a gallery and marveled at her new shaped canvas paintings. I get these clunky looking chairs now. They are a port to an immensely more playful world. Beautiful Robert Motherwell collages from the seventies filled a gallery on 24th Street. Fantastic to see how he picked up motifs in scraps of paper, a discarded cigarette package, and created a dialog with it. We stumbled on a group of graphic and somewhat rude Carrol Dunham paintings. He’s always popping up on my Tumblr blog. Louise Fishman was at her own show, holding court in front of a wall of her luscious water colors. And of course admission to all these shows was free.
I’ve saved the best for last. Georgio Morandi is one of my favorite artists. He lived his whole live in the house he grew up in painting fairly small still lifes of bottles and vases that he often painted before arranging, theatrically staging actually, on a tabletop. David Zwirner gallery has mounted a knock-out show of his work. Please click the detail photo above to see the whole painting. It is near criminal to crop a Morandi as I have.
Although he died in the mid sixties his work is painterly like that of a master yet dramatically minimal at the same time. The mundane taken to extremes. He is quoted as saying, “Nothing is more abstract than reality.” He does so much with so little. Looking at his paintings is somehow a quieting and exhilarating experience at the same time.
Peggi spotted a familiar looking tall man with a white beard talking to the people behind the desk in the gallery. It was the LA art guru himself, John Baldessari!
Inside old barn old barn on Westfall Road in Rochester, New York
There are very few remnants of farm life left in Brighton, a mature, inner-ring suburb of Rochester. The barns along Westfall Road, where there are now more doctors per square inch than Strong hospital, are some of the last remaining. My father, an active member of Historic Brighton, would like to see the town save them.
I met my dad the other day inside one of these barns, now a “ruin porn” site. He was measuring the distance between the poles so that he could do an architecturally true, three dimensional drawing of the barn. He uses the free SketchUp program that was developed by Google. I’m guessing he’ll submit the drawings to the town in hopes that they will be able to envision a repurposing. A long shot.
“Black Police Lives Matter” sign near he corner of Titus Avenue and Culver Road in Rochester, New York
We are all oblivious to things going on around us but I felt felt especially so when our new neighbor told me he was seriously considering not buying their house because the police in this part of town had a reputation for racism. It was shortly after they moved in when this story made the news.
So with some new found awareness this little sign near the corner of Titus Avenue and Culver Road caught my eye. Almost too small to be seen as you drive by it easily catches the eye of bike riders. I hope it has nothing to do with the nearby Art Deco house with the nautical theme but I suspect it is the work of a nearby neighbor. Irondequoit is the wrong town to be trying to take this meager campaign away from those whose lives are affected.
The sign, as seen above has had a few incarnations in the last few weeks. It started as “Police Lives Matter” in a lighter font. Someone scratched out “Police” and added “Black.” The originator came back with a bolder “Police Lives Matter” and pasted right over the amended sign and then shrink wrapped the whole sign in plastic.
Yesterday afternoon I wrote the word “Black” with a Sharpie, just above “Police Lives Matter” creating this confounding black police message. You see, I not only manage the Funky Signs website I am also a customer. Peggi and I rode by today and the sign was gone.
Apparently people feel left out by Black Lives Matter slogan because I keep hearing people say, “all lives matter.” Well, that wouldn’t be much of a campaign and it completely sidesteps the issue.
The bar at Cub Room on South Clinton Avenue, Rochester, New York
I was especially tired in Saturday morning’s yoga class. My ears were still buzzing from Big Ditch’s show the night before and the Three Heads‘ “The Kind” was still swimming around. It was our first class inside the Rochester Yacht Club facilities. The weather, now pretty much around the corner, has put an end to the outdoor adventure in the Port of Rochester. If I had to join a social club it would be this one. I don’t think you need a boat or anything.
Near the end of class, when we had been on our backs with a rolled up towel in lumbar curve for about a half hour, Jeffrey had us pretending to lift our arms. In doing so you become acutely aware of the muscles involved with such a simple act, muscles all over your body working together. Isometrics, I guess, but it stuck me as imaginary yoga. I asked Jeffrey if he could do a whole class of imaginary yoga and he laughed. That could but him out of a job.
The Cub Room on South Clinton is surely modeled on the Mad Men craze for cocktails and meat. Rat Pack photos line the walls above the booths and there is an air of glamour days gone by in the unofficial dress code. It is the city’s version of the Yacht Club. We ordered the only vegetarian dish on the menu, Crispy Chickpea Cake with roasted vegetables surrounded by a Romescu sauce. And we split an order of Grilled Octopus with Beluga lentils, grilled chicory, smoked paprika and Sherry vinegar. The octopus, like the cocktail club culture, was a bit overdone.