Théâtres de Mémoire

Calder mobile at Hauser Wirth in Chelsea
Calder mobile at Hauser Wirth in Chelsea

Our list of shows in Chelsea was shorter than ever. Just one must see, Marlene Dumas’s “Myths & Mortals” at David Zwirner on 20th, so we started there. Luscious, large, thinly painted oils, mostly nudes in gorgeous colors and small watery watercolors, mostly black and white, swiftly executed and expressive, work created for a recent Dutch translation of William Shakespeare’s “Venus & Adonis.”

Hauser Wirth is always good so we headed there next. They have galleries all over the world and their 22nd Street spot is especially comfortable with its café, bookstore and bathroom. They were showing the collection of Sylvia Perlstein, a Max’s Kansas City denizen. The Calder, above, is from that show.

From here we just wandered, staying between 9th and 10th of course, and stumbled into shows featuring Jean Dubuffet’s (Basquiat’s father) “Théâtres de Mémoire,” Al Held, whose heroic, thickly painted abstracts from the fifties look fresh today, Jenny Saville’s new paintings that show the work, the scrubbing out, the reworking, the buttery finish to the strokes and Damien Hirst’s spot paintings, three huge rooms of them.

Coincidentally, the last two shows we saw we’re by a wife and her husband. Both are the parents of the actress and director, Lena Dunham. Laurie Simmons from Cindy Sherman’s Picture Generation is showing her dummies and picture thought bubble photos at Mary Boone and her husband, Carroll Dunham, is showing his “vulgar beyond belief” (Los Angeles Times) male wrestler paintings at Gladstone Gallery. It was a perfect afternoon.

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Mythic Being

Like Life exhibit at Met Breur in NYC
Like Life exhibit at Met Breur in NYC

Peggi and I had dinner at an Italian place on the Upper West Side. We ate outdoors and sat next to Annie Liebowitz. I thought about how we were going to visit two major museums the next day?

We started with MoMA. “Adrian Piper: A Synthesis of Intuitions, 1965–2016” is kind of a geeky title but then Adrian Piper is a geeky gal. The show at MoMA is the result of a four-year collaboration with The Hammer Museum and is the most comprehensive retrospective of Piper’s work to date.

The show opens with her LSD paintings and Sol Lewitt-like (her friend) drawings. I dove into her obsessive diary entries and was sold on her brainy humor. Check out this early early performance piece. Her angry art from the eighties made me laugh out loud. She tackles racism head on but in ways as sly as a fox. Large screen videos show her teaching classes in Funk Dancing. This is a huge show that manages to leave you wanting much more.

Duane had a doctor’s appointment on the Upper East Side so we made plans to meet him up there when he got out. We were on the third floor of the Met Breur’s show, “Like Life: Sculpture, Color & The Body” when he joined us. The show is a sensation, one where the wall tags make it even more so because the sculptures include realistic, contemporary human forms, religious figures, Ex Votos (sacred offerings) and dolls as well as centuries old, idealized human form, marble statues. I knew the Church had a problem with nudity but if I hadn’t read the text I wouldn’t have thought about the problems created when worshippers fell in love with the statue instead of the intended depiction. The show was so well done it was “Like Life.”

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Ritmo Tiempo Silencio

Chillida sculpture at Hauser Wirth on 69th Street, NYC
Chillida sculpture at Hauser Wirth on 69th Street, NYC

In Leon last month, where we temporarily broke our pilgrimage, I found a small art book in the gift shop of the Gaudi Museum. It was on an artist I had never heard of but I fell in love with his work. Eduardo Chillida studied architecture in Madrid and then drawing at the Circulo de Belles Artes. After school he moved to Paris and began sculpting. The mini retrospective at Hauser Wirth Uptown includes these mediums plus prints, assemblages and a large dosage of his writing, in artist books and displayed as wall quotes.

We had slept in Midtown at the old Leona Chelmsley joint, the Park Lane, overlooking the Park if your room is in the front of the place, and we walked though the park with a latte on our way up to 69th Street. We were standing outside the gallery when they opened this morning and we spent a few hours with three floors of Chillida plus a small sculpture in the garden and a movie about him made by his daughter. All his work is sculptural in that every piece takes its place in space with mutual respect for the negative space. It is like Music in that sense, a beautiful experience.

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More Beer

Mural painter working front of Rochester Beer Garden
Mural painter working front of Rochester Beer Garden

Aren’t there already too many local beer joints? Too many beers on tap, too many choices everywhere you go? Do we have to overdo a good thing before moving on? I like a good beer but I fall apart after one. I can’t see hanging out at the Beer Garden but I might stop in for a pint.

The outside of the place made me think of my neighbor, friend and horseshoe partner. He drives one those VW vans, a Westie, and he’s a beer enthusiast. He’s been on a bit of a losing streak this season and he’s been bugging me to raise one of the stakes. As if the height of one of the stakes would play to his disadvantage only.

The stake is driven in so deep I need mechanical help to get it up so I put a request in to our neighbor, Jared. He’s been preoccupied with his grandson but he stopped by this morning with his tractor and pulled the stake up with a chain. Sure enough, Rick beat me two – zip in the first two of our usual best of three games.

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Connection

ME, formerly Personal FX on South Clinton Avenue in Rochester, New York
ME, formerly Personal FX on South Clinton Avenue in Rochester, New York

Bobby Moore cut Peggi’s hair a few times. This was back in the early eighties. He worked out of this building on South Clinton but it had another name, something with “More” in it maybe. I can’t remember. He used to come see the band. You would not forget him if you knew him.

He died of Aids back when it killed a bunch of our friends. Someone else took over the shop, another hairdresser, and they called it Personal FX, which was pretty close to the name of our band, “Personal Effects.” That sign stayed on the building for over twenty years even though the tenant had left.

Recently we spotted a new sign on the front of the place. The South Wedge is still coming up! This time they have the abbreviations for our current band. “ME”

Here’s Holiday, a recent song from Margaret Explosion

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On Your Left

Trail along Genesee River across from UR
Trail along Genesee River across from UR

We don’t walk in the woods as much as we used to. We are afraid of the ticks. We still go there, once we’ve suited up, and it is a special treat when we do. And its hard to put on any kind of milage in the woods so we walk in different directions each day. Today we parked a the CoOp and walked along the river to Elmwood Avenue where we crossed the river and came back on the other side. Its beautiful over there and not as well traveled.

The path is paved and shared by bikes. Some bikers are better than others when they shout “On your left.” About half the time it scares the shit out of me as they come up on us from behind. It is possible to approach that phrase gently but it usually comes out like an alarm.

We were walking along the lake over Memorial Day and a bike rider who was coming toward us on our right shouted, “On your left.” We just froze in our tracks thinking someone else was coming up on us from behind but it was only him. He scared us and made no sense at all.

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Here’s The Church. Here’s The Steeple.

Saint Mary's tower being repaired in downtown Rochester, New York
Saint Mary’s tower being repaired in downtown Rochester, New York

We took Pete and Shelley up to see the Leo Dodd painting show at Geisel Gallery. It closes on Wednesday so, sadly, this will probably be our last visit. We spent some time studying the four that are in B&L’s permanent collection. They were painted in 1994 and 1995 when the building was being constructed. Jean Geisel bought them then and they will be returned to B&L’s Goodman Street plant when the show is over.

These paintings are very interesting to me because they were executed rather quickly, like big sketches. Parts of the paintings are what you might call “unfinished” but those sections work especially well to convey the construction and action going on. Not only that, the expressively drawn, mostly white areas are the real subject and the reason he was standing out in Washington Square Park. They are alive today and what more could you hope for from a painting left behind.

Men were working on the steeple of Saint Mary’s when we stopped by. The church, just across the street from the park, played a big part in our family history and my father would have loved seeing this. Our cousin, Ray Tierney, bought one of the Saint Mary’s paintings from this show. His wife liked the painting because of the political activity it depicted (protesters with Occupy signs) and Ray like it because, as he told me, he was an alter boy at Saint Mary’s. In fact he was paid to serve mass (I never was) because Saint Mary’s had no grade school and they needed boys to serve. He took the bus downtown from Saint Boniface’s and loved getting out of school to serve at funerals.

We are really excited about the Champion’s League final on Saturday. We have been follwing Real Madrid all year but have a soft spot from Liverpool and Salem so we’ll be happy whoever wins. I just hope it will be a good match. We walked up to Wegmans and came back with some corn, vegetables and fish to grill after the game.

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Twenty Years Ago Today

Margaret Explosion playing at the Bug Jar in 1998
Margaret Explosion playing at the Bug Jar in 1998

Pete LaBonne, shown above on bass guitar, named the band. Casey Walpert gave us a gig playing happy hour at the Bug Jar on Friday nights and we stayed there for a few years. We never rehearsed and still haven’t. We improvised. Jack Schaefer played guitar, Peggi Fournier played sax and I played drums.

The group changed over time. Pete moved back to the mountains after three months and Greg Slack, who was usually there on Friday nights, took over on bass. The group grew in size, became unmanageable and slimmed down again. Bob Martin moved back from DC and joined on guitar. Ken Frank joined shortly after Bob and that worked well for fifteen years. Bob moved to Chicago and Phil Marshall took his place on guitar. Pete sits in on piano whenever he is town, he’s on most of the records, and Jack plays bass clarinet when his schedule allows.

Margaret Explosion is a concept and it seems to work despite the line-up changes. I like to think it keeps getting stronger. On Wednesday Pete will be sitting at the grand piano, Jack will play a few tunes on bass clarinet and we’ll give away some merch. I am grateful to all the people we’ve played with in these twenty years and I’m really exited about tomorrow’s gig.

Here’s Tonic Party by Margaret Explosion

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Kodak Moments

Mark, Ann with Amy, Paul, Fran, John and Tim Dodd in early sixties.
Mark, Ann with Amy, Paul, Fran, John and Tim Dodd in early sixties.

My sister, Amy, is the family historian. She remembers dates and places, when and where minor and significant events took place and we rely on her to keep track of things. The boxes of 35mm slides that our parents left behind are in good hands with her. She recently culled a few hundred and we sent them to a place in Utah to be scanned.

Our brother, Mark, was in town this weekend to see the Leo Dodd show at the Geisel Galley so we rounded up five of the seven Dodds, pictured above, and took a look at the photos on our tv. The family is a little spread out so there were very few pictures of the seven of us together. I like the coon hats on Fran and Tim, the smiles on our faces and the Rouault prints that my dad had on the wall behind us.

Our brother-in-law, Howie, brought olives and beer, Genesee’s Ruby Red Kolsch, a picture-perfect combo.
We played Margaret Explosion music from the past month at low volume. I had never seen many of the photos. I thought I identified a young Brad Fox in one one of them, rough housing at the pool with my brother, Fran, but my sister thinks it is someone else. She is probably right. Memory is far from factual and I prefer it that way.

We stopped by the closing party of Zanne Brunner’s art show. She took us over to a stack of her work, looking for a drawing of Peggi and me playing at the Little. She wanted to give us the drawing but someone had already bought it.

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Repeat And Steal

Peggi, suited in tick gear, clearing Garlic Mustard from hillside out back.
Peggi, suited in tick gear, clearing Garlic Mustard from hillside out back.

I can’t imagine how thick the garlic mustard would be if we didn’t pick it each year. We wait until the white flowers come up out. The plants are up around a foot by then, they are easy to spot and they haven’t gone to seed. Unlike the tooth swallow wort they are really easy to get out of the ground, roots and all. Our friends Pete and Shelley eat them but they don’t have them in anywhere near the quantity we do. Our undergrowth is stressed by the deer and the invasives are opportunistic as hell.

Isn’t the local first movement just a scaled down version of nationalism? I think we are still a long ways off from having too many breweries or coffee shops. And I like the idea Fifth Frame has for combining the two. It’s not an original idea. Coffee shops in Spain have seamlessly shifted gears from coffee to brew for centuries.

We have a friend who’s been talking about opening a coffee shop downtown. Before he does I think he should go to Spain and walk out the door of his hotel and stop at the first café he sees. Have a cup, café con leche or solo, two choices, none of the fancy flavored stuff. A few simple food items will be within eyeshot. Tortilla Espanola and fresh bread. Tostada con aceite de oliva would hit the spot. A bin of fresh oranges would be on the counter. The proprietor could toss a few in the machine and squeeze some zomo de naranja fresco for you. A copy of three or four different newspapers will be on the counter for patrons to chew over and prompt conversation.

Walk out the door and stop at the next café you see. Repeat and steal this intellectual property. Continental substitutions will be allowed when you bring the basics home.

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The Way In

Small village along the Camino de Santiago
Small village along the Camino de Santiago

We’ve been back from Spain for weeks but our walking partner, my cousin Maureen, kept going and just finished today. She arrived in Santiago, got her certificate stamped and continued on to the first alternate ending, Finistere (end of earth), and then to the hardcore final stop, Muxia, in the northwestern corner of Spain. We have kept in touch each morning as she is finishing her day’s walk and I couldn’t count the number of times we have said we wish we were on the trail with her.

We walked up to the high school today to vote on the town’s budget and it became clear to me what one of the best features of the Camino de Santiago is that each day is an entirely different walk from all the rest. A new starting point, new route and a brand new destination. It made the five mile round trip to the high school kind of ho hum.

I finally got my photos sorted, If I used a smartphone or if my camera had GPS it would have been done for me but before I put a name on the file I try try to figure out where we were. We were in and out of so many small town and so many churches. I have a picture of a crucified woman and I couldn’t remember her name so a little research was in order before labeling it “Santa Librada” and throwing the Camino Photos up on Flckr.

I discovered there is a trans-fronted rock band in Baltimore called Santa Librida. In the Middle Ages Santa Librada was the patron saint of prostitutes and over time she became the patron saint of women in labour. Apparently pregnant women visit her tomb and recite the following:

Santa Librada,

May the way out

Be as sweet

As the way in!

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Distractions

Mermaid statues in garden store outside Leon Spain
Mermaid statues in garden store outside Leon Spain

In Spain for the month of April we got to experience an early Spring and because it was so cold here in April we are enjoying it all over again in May. We put lettuce, spinach and cilantro in today, all from seed. I realize we’re late with those but we’ll see what happens. We picked a batch of kale from last year’s plants. They try to start up again and only get so far. We plan to get over to Case’s on Norton pick the plants we intend to put in. We may be pushing it with those but we hear Mother’s Day is the new Memorial Day for clear of frost days.

My sister thought we were goin to Lourdes and she asked us to pick a rosary up for her. She got confused because we had told her our cousin was going Lourdes for Easter before meeting us in St. Jean Pied de Port‎. Lourdes would have been the place to buy one but we found a nice one in Pamplona at religious store connected to the Cathedral. We dropped that off tonight after yoga.

It was hot in the old Brighton School No. 1 gym. Jeffery had the doors open. Brighton High School had a lacrosse game going on and they cranked a recording of the national anthem through their P.A. system. Jeffery told us the longer you practice yoga the easier it is to block out distractions.

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145

Kurt Ketchum show at Axom Gallery
Kurt Ketchum show at Axom Gallery

Axom’s parking lot was full on Saturday, not with cars parked for the gallery but with vendors selling locally handmade goods. It was a Second Saturday and Rick and Robin Muto let them use the lot each month for the event. We had seen them the night before at an art opening on the ninth floor of the Bank of America building. Rick and Robin had taken one of the artists in that show under their wing years ago. Dan Armbruster from Joywave was up there too. I told him how much we liked his band. Rick told us he wasn’t able to make the opening of my father’s show because he had an opening at his own gallery, Axom, a show that features new work by Kurt Ketchum. We made a point to stop up there the next day and we really enjoyed the show. Kurt puts his own stamp on everything he touches. He brings a new kind of order to objects by interacting with them.

We met my aunt and uncle up at the Geisel Gallery. They live in Niagara Falls and were former traveling partners with my parents. They came into town to see the Leo Dodd show there. My cousin was driving and she called to say they were at Main and Clinton and they couldn’t find the building. My cousin refuses to get a smart phone so it was verbal instructions that were going land this ship. They were only two blocks away but Clinton is one way, the wrong way. And they we pointed west on Main so we had to turn them around. Stone Street, their first left would take them right to the entrance but you can’t turn onto it from Main. We had look for South Avenue and told them to turn left. South Ave. is labeled “”Saint Paul” when goes north and that’s all they saws they called back form Washington Street! They were on the other side of the river. A half hour later they came up Court Street where the Dachshund Parade was happening in Washington Square Park. They unwound in the elevator and they loved the show.

My mother has been gone a year but we still get some mail for her, things like “Better Homes & Gardens.” I took a look at this one on Mother’s Day and found some cool stuff, a simple recipe for grilling Kale, Radicchio and Bok Choy along with high heat, non-stick steel grill fry pan with holes in it for the small stuff. And a feature on house numbers in various colors, fonts and materials. The aluminum Neutra numbers would look good on our house.

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Art Market Depression

Panelists at Rochester Contemporary talk entitled "Think Globally. Create, Experience & Collect Locally."
Panelists at Rochester Contemporary talk entitled “Think Globally. Create, Experience & Collect Locally.”

RoCo’s event was billed as “Think Globally. Create, Experience & Collect Locally.” Sounded great.

Louis Perticone from Artisan Works, Nan Miller, who ran a gallery under her name for forty years, and Bradley Butler, a painter and gallery director/curator at Main Street Arts in Clifton Springs, just thirty five minutes from here, were the featured panelists. Grant Holcomb, the former Memorial Art Gallery director was sitting behind us. RoCo ran out of chairs, they had a good crowd.

Nan Miller, who represented Albert Paley and specialized in prints and multiples by internationally known artists addressed how everything has changed with the internet. People become aware of an artist and track him or her down on their own. Art Fairs are putting gallery owners like her out of business. Louis Perticone buys artists’ work in bulk, by the thousands, and rents it out to institutions. “I look for something I can put in a hospital, nothing too far out.” He said he has over a thousand photographs in Rochester General Hospital. And if I heard him right he does this as a not-for-profit. He stressed that less than one percent of artists make money. Instead “they fuel the art market by being consumers of art materials.” Bradley Butler’s “Main Street Arts” in Clifton Springs is an oasis. With artfully curated theme shows, curated group shows and artists in residence he brings art lovers to that small town, a real feat. He is not the owner however his situation is more like a dream.

Peggi and I went because we consider ourselves very small time collectors. We have very little wall space but we buy what we love. We bought Warhols with my brother in the mid seventies and took them to auction at Christie’s last year. We found this talk depressing but we probably have our heads in the clouds.

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Gone

Albert Paley sculpture in front of old B&L Headquarters, Rochester, New York
Albert Paley sculpture in front of old B&L Headquarters, Rochester, New York

It wasn’t the best night last week. The band sort of floated around themes but never nailed anything until that one song in the second set. We trapped ourselves in a spell and stopped time. The room got really quiet and we all knew we were into something good. I remember thinking. “I don’t want to blow this,” and then the power went out on the recorder. I don’t know if kicked the cord or what happened but we lost the recording. If I hadn’t let the batteries run down they would have taken over but they were dead so, poof, the second set was gone. The really cool thing was that all four of us were bummed. We are all on the same page and knew we had touched magic.

Of course, if we did have the recording, the chances are it would never have sounded as good as we remember it. Mike Rea tapes a lot of shows. Maybe he has a recording.

This is Daydream by Margaret Explosion

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Redolent Of Pig

Stone fence, green pasture, cloudy sky
Stone fence, green pasture, cloudy sky

I came home from Spain with way too many photos and if I had any common sense I would be rethinking my picture taking hobby. Around Rochester I collect a few photos everyday and I don’t even notice the time it takes to squirrel them away. When they pop up randomly, while the library is shuffled on our tv, I am usually happy to revisit the reason I took the photo. But we’ve been back for ten days and I still haven’t even seen all the photos from the Camino. I’ve seen most of Peggi’s iPhone photos and I envy the gps tagging on them.

“A Pilgrim’s Guide to the Camino de Santiago” by John Brierley is the bible for most but we ended up using my cousin’s guidebook, “Hiking the Camino de Santiago” by Anna Dintaman and David Landis. Neither come in a download version (because the profit margin is too slim?) and we didn’t want to lug the actual book so Peggi took photos of the pages. She figured we’d get to Leon before we had to return to Rochester and we did so that’s all she scanned. We went downtown today to check the book out again. We parked in the Culver Road Armory lot and walked through the Park Avenue neighborhood to the library. The Magnolia blossoms on Oxford street were falling so fast it looked like it was snowing.

The books on the Camino were in two places, the history section on the third floor and filed under “Religion” in the reference room across the street in the old building. I picked up a book written in 1926 called “Forgotten Shrines of Spain” by Mildred Stapley Byne. Quite a few of the landmarks we had just seen are listed in the index. When we got back to the Armory, a six mile round trip, we stopped in Trata for dinner and sat out on the deck. I started skimming the pages and found this timeless passage. “The vegetarian would be hard put in a Spanish monastery. The chick peas and spinach are redolent of pig just as an arroz is of cod, chicken or chorizo.” But then this, a section talking about the Virgin of Guadalupe, how her appearance was connected to a myth that the Spaniards brought to “the savage Mexicans,” a reminder that 1926 was almost a century ago. And then some downright nasty lines about “the old Muslim and Jew choked streets.”

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The Courage To Create

Hamid Drake and Adam Rudolph performing at the Bop Shop in Rochester, New York
Hamid Drake and Adam Rudolph performing at the Bop Shop in Rochester, New York

Two nights in a row at the Bop Shop. I wish I still bought records. I did look through a few boxes of 45s labeled “New This Week,” all vintage but in great shape, but I didn’t buy anything. We were there for performances by Amy Rigby on Friday night and then Hamid Drake and Adam Rudolph on Saturday. Hamid reminded us at the end of their set that we should all be thankful for performance spaces like this, an outlet for people with the courage to create. Drake was part of the first act Tom booked in his old space in the Village Gate and that was thirty years ago.

We have heard Hamid Drake with Fred Anderson and Ken Vandermark and Peter Brotzmann. He is a sensational drummer. Both he and Adam Rudolf played with Don Cherry, Yusef Lateef and Pharaoh Sanders. They learned from the masters. Years ago when Hamid played Milestones I asked him who his favorite drummer was and he told me it was Ed Blackwell, who he studied with. I reminded him of that conversation last night and he said he had moved on from Blackwell’s influence because he felt he was sounding too much like Blackwell, as if that’s possible. His mentor, Yusef Lateef, taught, “the tradition is to sound like yourself. To play your aboriginalness.”

Hamid says he “has been developing a hand drum concept on the drum set while Adam has been developing a drum set concept on his hand drums.” They played one long but perfectly controlled set and finished with a mesmerizing piece where Hamid sang a Buddhist chant while playing a frame drum and and Adam played sintir while throat singing backups. Despite subscribing to music streaming services, we bought their new cd,”Karuna.”

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Amy Rigby Holy Card

Amy Rigby holy card on table at home
Amy Rigby holy card on table at home

I still have my holy cards spread out on the rug in our living room. Still sorting and identifying the ones with no identification, apart from the distinctive iconography. Of course that is Santa Agueda with her breasts in a bowl but who is that shown with two lions and a Roman building? A half hour’s research proves it is Santa Thecla, the first woman martyr. Meanwhile the post card announcing Amy Rigby’s gig at the Bop Shop is still on our table. Catching it out of the corner of our eyes, both Peggi and I keep thinking it is a holy card.

Amy Rigby, performing without her famous husband, captivated a large crowd in the performance space at the Bop Shop on Friday night. She was in fine form as she presented her many gifts – her devotion to song craftsmanship, her charm and wit, her shared fandom and literary lyrics. I get “From PhilipRoth@gmail.com to rzimmerman@aol.com” but I’m still mulling over the lyrics to the enigma,”Robert Altman,” as well I should be. I am a huge fan of Amy’s writing so of course we bought her new augmented song book with lyrics to her new lp, “Old Guys.” as well as a hand picked selection of blog posts.

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Derby Day

Durand Eastman in full bloom, Spring 2018
Durand Eastman in full bloom, Spring 2018

Brandon, from the Friendly Home, spotted us on the deck at O’Loughlin’s. He knew exactly why we were there, the anniversary of our first date, the Kentucky Derby. We must have shared that information with him during one of our visits. It has been almost a year since my mom passed but Mary Dixon is still there, along with Sandy, Nancy and June.

Last night’s art opening was a smashing success. If my father had been able to make it he would have been beaming. Everyone else was, while admiring his watercolors.

Our walking partner in Spain, my cousin, Maureen, made her triumphant entry into Santiago de Compostela this afternoon. We’ve been back well over a week and she has completed the Camino. We are so proud of her and eager to join the club.

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You Don’t Know What It Is

44 Parker Road in Rochester, New York. Home of Bob Dylan's Mr. Jones.
44 Parker Road in Rochester, New York. Home of Bob Dylan’s Mr. Jones.

Peggi has a whole set of fans in connection with her Don Hershey website. One of them emailed this afternoon to see if Peggi wanted to get inside a house designed by Hershey on Parker Drive in Pittsford that she was considering buying. It was built for Robert Brown in 1951 and was featured in “Quality Budget Houses, A Treasury of 100 Architect-Designed Houses from $5,000 to $20,000.” The most recent owner was an RIT professor named Jeffrey Jones. Jeffery was an intern at Time magazine in 1965 when he interviewed Bob Dylan at the Newport Folk Festival. Dylan wrote “Ballad of a Thin Man” about Mr. Jones.

“You walk into the room/With your pencil in your hand/You see somebody naked/And you say, “Who is that, man?”/ You try so hard/ But you don’t understand/ Just what you’ll say/ When you get home/ Because something is happening here/ But you don’t know what it is/ Do you, Mister Jones?”

I went along for the ride and was surprised to see Mr. Jones’ name on the front of the house by the mailbox. And there was a poster for the 1965 Newport Folk Festival in what was called the “Play Room.” Mr. Jones died in 2007 and NME did this piece.

Not sure who lives here now but the house was rather sad. It had been neglected for well over a decade and every so called improvement that was done to the home before that was half-assed. And on top of that it appeared the original owner took Hershey’s plans and then built the house himself, cutting every corner imaginable. There is no basement for starters and the exposed interior rafters aren’t even long enough to do the span so pieces were bolted together. The porch, which is enveloped by the house on three sides rather than sticking out from the house, has a fireplace and floor to ceiling screens on the front. I wanted to sit down with a book.

Instead of the quarter million asking price it should be a tear-down. With a few modifications the Hershey plan should be re-executed.

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