
Rochester Contemporary asked if I would talk about the piece I submitted in the annual members show. I was given a ten minute limit and I quit when I found myself saying something for the third time. They typically do these talks in person with the artist standing in front of their work, But this year RoCo plans to assemble a video of the artists who talked and share that online. I will be interested to hear what I had to say. I’m am not sure I offered anything at all.
I entered a large photo print last year. It sold and won the Light Impressions award. So I upped the photo presentation this year by bringing my old iMac downtown, tricked out with black duct tape framing the monitor. It plays a slideshow, called Abstracting Spain, in a big loop. It won the Axom Gallery Award. The 143 photos were all taken in Spain over a ten year period and to me there is a clear pattern. My favorite shots don’t document a monument or people. The best ones are constructions, like modern art paintings. They reference the two dimensional, horizontal grid of a landscape, 4×3 or 3×2 with my later cameras. They are compositions, sometimes before they even announce their subject. And to drive this point home I included my photos of a few paintings in Spanish galleries.
I use a pocket camera, a Sony RX100, and I rarely zoom. I walk up to what I want to photograph, sort of plumb the horizontals and verticals, and compose in camera. I do this instinctively and then wonder if it was done obsessively.
I didn’t prepare any notes for the talk and I didn’t mention the one thing I intended to say – that I pictured people sort of holding their breath as they scooted through the show during the pandemic so I cut the time each photo stayed on the screen down from 20 to 10 seconds. I thought I would just look at the pictures in my piece and talk about them but I don’t remember doing that.
The photo above was taken yesterday. A flattened box in the middle of Hoffman Road with a window cut out of it and surrounded by blue painter’s tape. What is there to say about that?
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