RoCo is accepting entries for their annual 6×6 exhibition and they included PopWars on their promo list. “We are reaching out to you because here at RoCo we think your readers at PopWars would enjoy learning about it. The deadline is quickly approaching and we would love if you could help us promote such an important and unique event. Would you be willing to write something about 6x6x2018 and invite your readers to participate?” It is not exactly what I do here but of course I will pitch in.
I’ve been gluing two pieces of rough cut Adirondack pine together for four years now and I’m hoping there is still some life in the concept. The boards, that Pete and Shelley bought from a sawmill for me, were only around five inches wide so making a six by six piece required ripping, gluing and clamping. Instead of ripping to three inches so the two pieces would be symmetrical I found these pleasing proportions and painted the two pieces a different color to accentuate that.
The first ones were each two colors, right out of the tube. The second year I only used one color on each leaving the other part of it as raw wood. The third year I cut the two pieces of wood the same size, glued them together and painted either a center panel or the surrounding of a non-painted center panel.
Each of them sold so I’m pushing it a bit further this year. Each of my four blocks uses the same two colors. If they sell I will try submitting the raw wood panels above as is next year. In today’s political climate I’ve been thinking of them as my wall prototypes.
Rochester Contemporary gets submissions from all corners of he world for their annual 6×6 show. Its their biggest fundraiser so why should they quit it? Not to mention that no one has come up with a better idea. We heard director, Bleu Cease, on the radio talking up the celebrity entrants and the mad scramble to purchase their work on opening day. We had a soccer game to watch that night we missed the affair but we did have a chance to preview the work.
If everybody knows that Philip Glass has something in the show, as he does every year, wouldn’t you think someone would be doing fake Philip Glass’s and submitting them? I mean the real Philip Glass’s only bring twenty bucks like every other piece. Supposedly the authorship is kept anonymous but some artists work is so distinctive you pick it out in a sea of thousands. And in my father’s case he signed his “Hot Dog Row” homage on the front. Would Philip Glass really submit a piece on section of musical score paper with the words “Einstein on the Beach” on it? His most famous piece? I’ve tried some different things over the years and went minimal/maximal this year. Next year I plan to do forgeries. As a fundraiser.
Bleu trapped us on the way out and solicited video responses to three questions. One was what was you favorite piece in the show? I tried to describe this fuzzy, furry, three dimensional piece (above). I can’t wait to hear/see that rambling reply.
The Bop Shop’s Tom Kohn comes from a family of hunters and he told me he liked my post on the deer. He said he reads my blog every day now and this kind of threw me off so I didn’t post anything yesterday to throw him off.
I’ve been working on some six by sixes for the upcoming RoCo show. I spotted my stuff from last year in the bottom row of this photo. I submitted prints of paintings last year and never imagined they would sell. I really felt bad when they did, like I had ripped someone off. So this year I’m doing real, miniature paintings and it has been a lot of fun. Pete LaBonne was in town last week and he told us, “I have a lot more work to do before I record again. You know, to come up with something I can listen to when it’s done.” I know exactly what he means. That’s why I am happy to contribute art work to this RoCo show even tough they take 100% and even keep the ones that don’t sell. Like the Clothesline Show for the MAG, this is their largest fundraiser.
Our cherry tree blossoms came out today so I grabbed this shot while still in my pjs. Peggi and I spent about an hour this morning swinging a sledge hammer at an old stump in front of our house. It has been rotting since we moved in here it’s time to remove it. We borrowed a pointed sledge hammer from Rick and Monica. Monica had a name for the the tool that I have forgotten. It’s killer. I’m sore all over.
We took a walk and followed what sounded like the world’s biggest woodpecker. We used our ears as tracking devices while he worked away on tall hollow tree. When we got close but spooked him and watched as he flew to another tree. It was a beautiful Pileated, like Woody Woodpecker.
It’s Brad Fox‘s birthday today. We are the same age for two days. I plan on giving him a call as soon as I finish this entry.