Shawn Irons RIP

Shawn Irons at Earring Records company picnic

The first thing I remember about Shawn Irons is him driving some sort of mobile home thing that he had rented for us to do a couple of out of town dates. We were on the New York State Thruway playing some sort game and laughing when he got pulled over. He was doing ninety and didn’t even know it. As the cop approached our vehicle, Shawn turned toward us and said, “I don’t have my license. Can someone let me borrow theirs?” There was total silence.

He printed up Personal Effects business cards with his name on them and then told us he wanted to manage the band. He had no managerial experience or managerial skills but he had a mischievous smile and lots of energy. Martin Edic described him as a “big character” and he was a ball to be around. We hear Shawn died in his sleep last week in San Jose.

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Big Wood and Brush

Gene Marshall Song Poems
Gene Marshall Song Poems

“Big wood and brush. Big wood and brush. Do you know the difference between big wood and brush?”, “Jimmy Carter Says Yes!”, “Little Love Bug”. These songs, from a cassette tape that Chris Zajkowski from the Squires of the Subterrain gave us, have been stuck in our heads for twenty years. And we don’t even have a tape player anymore. The cassette was a collection of song poems, hand labeled, “Beat Of The Traps”, and I think he got it from someone in NRBQ. The songs were lyrics by anonymous people put to music by studios that advertised in the back of magazines. A couple hundred bucks and you had a box of 45’s with your song on it.

Our friend and neighbor, Monica, had just returned from Paris and so we had her and Rick over for dinner last night. We made barley mushroom soup from the Moosewood cookbook, chicken marinated in a lime juice vinaigrette and a green salad. Rick made a no cholesterol angel food cake for dessert and we ate that while watching “Off The Charts, The Song Poem Story”.

The charming Gene Marshall, who claims to have cranked out 10,000 songs, was responsible for “Big Wood and Brush” and “Jimmy Carter Says Yes” and he stole the show. He dominates his band and bulldozes arrangements on the fly while “sight singing” lyrics that have just been put in front of him. Improvisation is one thing but watching him try to keep a straight face and get through these songs in one take was thrilling.

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Body Parts Found In Chicago

Watkins & The Rapiers performing live at WXXI
Watkins & The Rapiers performing live on WXXI’s Sound Stage

We went to the old Rohrbach’s location in the basement of the German House in Rochester’s South Wedge last night. Watkins & The Rapiers were playing there surrounded by TV sets tuned to various stations. “Body Parts Found In Chicago” was displayed the the bottom of the screen on Fox News. I couldn’t tell what we were looking at. We went out with our neighbor, Rick, and he ordered a pitcher of beer. We ran into Bob Mahoney and Jan Marshall and had a nice time chatting while the Regan brothers sang their super catchy songs and select covers like Ricky Nelson’s “Travelin’ Man” and Dylan’s “When I Paint My Masterpiece”. I slept like a baby and woke up with “Even on Christmas Day He Wore Black” stuck in my head. Peggi said she was singing “Mighty Nice of you to Treat Colorblind This Way” and they didn’t even do that one.

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HiTechs

Dick Storms of Archive Records writing contract for Hi-Techs second single
Dick Storms of Archive Records writing contract for Hi-Techs second single

Martin Edic came out to see Margaret Explosion last night. He had a Polaroid with him from 1980 or so. He was going to scan it and send us a copy but he hadn’t configured the scanner portion of his printer/copier/scanner yet. And he wouldn’t give up the photo. It got us going through some old photos and we came across this one from that same time period. I think this was a signing ceremony for the our band at the time, called the “HiTechs“. We have the candles lit. Dick Storms from Record Archive is shown on the right with a contract in his hands. Peggi is smiling so it must have been going well. Martin, shown behind Peggi, is reading something. He reads anything within reach. Bob is smoking. Those were the days.

Dick released a couple singles of ours on his “Archive Records”. This contract must have been for the second one, “Screamin’ You Head” b/w “A Woman’s Revenge”. “Screamin’ You Head” got some airplay and notoriety when Danceteria DJ Iolo Carew added it to his dance charts for Rockpool. “A Woman’s Revenge” was based on a one of the photo novellas that we used to buy down at Bertha’s on East Main Street in Rochester. Martin was the bass player for HiTechs and Bob was the guitar player in Personal Effects so this must have been right on the cusp of that transformation.

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Lucrative Art Market

Margaret Explosion photo by Leo Dodd
Margaret Explosion photo by Leo Dodd

My father emailed me this photo. He took it at the Margaret Explosion gig over Christmas. I didn’t really care for the art on the walls back then. It changes every month and there is already some new stuff up for our gig tonight.

I have a painting show there in January of ’09 and I got an invoice in the mail today for $50 for the privilege. Apparently you have to be a member of the Little Theater Film Society in order to exhibit there – a worthwhile cause. The Crime Faces ought to liven up the place. Here is link to the Rain Dance from our gig at RIT on Saturday. Phil Marshall is on guitar while Bob was in Anaheim.

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Field Recordings Of The Future

Music and poetry of the Kesh
Music and poetry of the Kesh

Our snowmen’s heads have both fallen off in the rain but their sculpted bodies are looking good. We put our rain gear on to walk in the woods. When the temperature goes above freezing things can get ugly but down by the creek the woods were misty and beautiful. It was a good day to contemplate the lyrics to “The Willows” from Ursula K. Le Guin’s novel, ”Always Coming Home”.

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Metal Machine Christmas

Lou Reed performing Metal Machine Music
Lou Reed performing Metal Machine Music

We knocked off a quote for a website for a dance troupe in Detroit this morning. We had promised it last week but we never got to it. Peggi put the turkey in the oven and then headed out to pick up her mom. I watched for the little pecker to pop out. It’s a free range turkey that never ate meat. The label says it has 70% less fat. I don’t think of turkey as having much fat to begin with. We bought it at Palermo’s Italian Market on Culver.

Lou Reed performing Metal Machine Music

Duane stopped by and helped me shoot a new batch of paintings. He works for Lowel Light in Brooklyn and he set up four Tota lights, balanced the white point and set up a manual exposure with his Sony Cybershot V3. They came out pretty good but it will take me a bit to crop them and adjust the levels. When work was done we kicked back with a dvd of a 2002 live performance of Lou Reed’s Metal Machine Music. I have an 8-track of that thing out in the garage that I want to put on eBay some day. Peggi walked in with her mom. My brother and his family are in town from New Jersey and they are headed over here for dinner. My parents will be here too, so with Duane that will be eleven. We put the extra leaf in the table.

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So Long Eric

We started the day in front of the fireplace in our pjs reading the New York Times. Our nintey year old neighbor brings the paper up to the door while we’re still sleeping. Peggi read Maureen Dowd and Frank Rich out loud while I cut up some fruit. I read “The Year In Ideas” in the Magazine section and wish I hadn’t. The “Cat Lady Syndrome” piece about the parasite you can get from your cat gave me the creeps.

I popped a Charlie Mingus DVD that we bought on Amazon in around noon and watched the 1964 rehearsals of “So Long Eric” and “Meditations on Integration” which were recorded in Sweden. Mingus’s “Town Hall Concert” with those two songs (only those two songs) on it was one of the first jazz albums I bought and every bit of it is so memorable. It came out right after Eric Dolphy died and Mingus changed the name of “Meditations” to “Praying With Eric” for that release.

Charlie Mingus is quoted as saying “Eric Dolphy is a saint”. He should know. The “Cornell 1964” cd that was just released by Mingus’s widow has the same tunes on it as well. And now comes this amazing DVD with recordings from three European stops that same year. The music remains so memorable because it is an absolutely beautiful composition performed by incredible players. Watching them (Mingus, Dolphy, Dannie Richmond, Clifford Jordan, Jaki Byard & Johnny Coles) rehearse and perform this music is an incredible treat. Thank god for the Europeans. I might a couple copies of this for Xmas gifts.

Chiminea in backyard in late Fall
Chiminea in backyard in late Fall

We went out to walk but got sidetracked in the backyard. We started a fire out there in our Home Depot chiminea and stood around like a couple of bums eatting peanuts.

Psychedelic Sunrise

Road Masks by Paul Dodd at Tap & Hammer
Road Masks by Paul Dodd at Tap & Hammer

We went out to see Rochester’s Chesterfield Kings last night at the German House. They have been together about thirty years or so now. Their original drummer, Doug, just died. We caught a few minutes of the opening band and it was way too loud so we left and had a beer down at Tap & Mallet. We sat in the Road Mask room.

Greg Prevost oof the Chesterfield Kings
Greg Prevost oof the Chesterfield Kings

The Kings were great. Greg is a star. I’m not sure what he was singing about but it all sounded good like Iggy or the Dolls or the Cramps. Greg plays harp a lot these days and he must have brought his yellow Newspaper Recycling box to the gig because he kept tossing out handfuls of paper. He crawled around on top of the PA system and worked his way through the crowd to the back of the room and then got up on the bar there and started banging his mic on a Heineken bucket. I took a photo of the floor when the show was over.

Floor after Chesterfield Kings show.
Floor after Chesterfield Kings show

We had my mother in law over for dinner tonight. I rode along while Peggi took her back to her place. I laid on the floor in the back of the Element and looked up at the treetops through the sunroof. Peggi was playing a Charlie Mingus cd.

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Neil Young Is Much Better Than His Fans

In fact, Neil Young is much better than his band. He reaches for the sky. His band is the gauge by which you judge whether or not he made it. Shea’s in Buffalo is a beautiful concert hall. Relatively small, ornate, great sound and not a bad seat in the house. Neil’s wife Pegi opened the show with Ben Keith on pedal steel and Neil’s bass player, Rick Rosas. She was better than Social Distortion, who opened for Neil in the eighties.

Neil Young Buffalo 2007
Neil Young Buffalo 2007

Neil’s acoustic set opened with a beautiful version of “Hank to Hendrix” and a brave version of “A Man Needs A Maid.” Almost as good as the 1971 show. The crowd cheered every time he played harmonica like it was a miracle. And a bunch of idiots started clapping not in time to one song. There was guy sitting in front of us who told us he was thirty and he loved Neil. He said he was going to get his first tattoo when Neil dies even though his mother would hate it. He said he was wearing a four dollar brown leather jacket and Hunter Thompson shades for the event. This guy had the loudest whistle in the world.

We were happy to see Neil Young’s road manager dressed like the devil he played in Greendale. He was doing big paintings on canvas while the band played and he would bring one of them to the front of the stage and put it up on an easel before each song. They usually had the name of the song on them. I saw MX80 do something like this a long time ago.

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R&R Weekend

Not rest and relaxation, rock and roll. We are driving down to John Gilmore’s house in Geneseo and then taking his car to see Neil Young in Buffalo. Neil is playing acoustically and then with Crazy Horse and his wife Pegi is opening the show. I really like the recently released cd with a DVD of his acoustic tour from 1971 at Toronto’s Massey Hall. I saw that tour a few days before that show in Chicago. I hitchhiked up there with my late friend Dave Mahoney. I have seen Neil many times since and he always pushes it. We saw the country tour at the War Memorial and we saw the Rust Never Sleeps tour. And then we saw him at the ice rink in Buffalo just before we started the war with Iraq. I remember a bunch of people down front unfurling a big banner that read, “Fuck Iraq”. The crowd roared. Neil had a peace sign on stage and I don’t remember anyone cheering for that. I especially love his movie, Greendale.

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Tap and Mallet

Paul Dodd Mug Shot Paintings at Tap And Mallet in Rochester, NY
Paul Dodd Mug Shot Paintings at Tap And Mallet in Rochester, NY

I picture someone having too much draft beer from the “tap” and a cartoon image of a “mallet” pounding on his head. That’s the name of Casey’s new place on Gregory Street where the original McGregor’s was. They wanted some artwork for the place so Casey and his partner, Joe, stopped by to see what I had. They picked out some the “Crime Faces” from a few years back and the “Road Masks” that I had hanging in the basement. Casey used to own the Bug Jar and I took some mugshots there. He owns Mex Restaurant and I painted a mural over there. Casey is a patron. I recommend their house brew, “McBanes Bitter.” It’s made by Rohrbachs. The Beer Advocate reviewed the place and said, ” the faces on the walls are very creepy!”

Horse Lovers
Horse Lovers

The Horse Lovers were performing across the street at House of Hamas in Rochester. They did a beautiful version of “Moonglow.” That’s Ken Frank from Margaret Explosion on bass. Phil Marshall plays guitar and directs the band. Jim McAvaney plays drums and all three played with Colorblind James Experience.

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Bang Bang



Billy Bang performing at the Water Street Music Hall in Rochester, NY
Billy Bang performing at the Water Street Music Hall in Rochester, NY

Billy Bang was back in Rochester last week. He calls this place the sixth borough. He had a new drummer this time but Bang introduced him as someone who had played with him on recordings in the past. They did a beautiful version of KIA MIA one of Bang’s Viet Nam albums and a song that Billy wrote for Sun Ra. The first time we saw Billy Bang was out at the old Red Creek when he was playing violin in Sun Ra’s band. This was somewhere in the seventies.

Chopsy
Chopsy at Water Street Music Hall in Rochester, NY

We have seen Bang so many times over the years. He was in the Bop Shop atrium with Kahill El’zabar and once more with his own group. He has appeared twice at at the Rochester Jazz Fest and we saw him at the old Montage, downtown. Then he performed live with Garth Fagan Dance out at a Greece High School. And then he was at the Water Street last year. He is always fantastic but more so on some nights. He’s best in a small setting when you are right on top of him. He eggs his band on and they try to keep him grounded. On a good night he will just tear the roof off the place. Billy Bang finished his set with a version of Ornette Coleman’s “Lonely Woman.”

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Who Is Faust?

I first met Brad Fox in high school. His father had paint by number clown paintings all over the house. Brad’s parents were getting a divorce and they were trying to figure out what was up with their son. They had Brad take a bunch of tests and one of the questions was, “Who is Faust?” “What does that have to do with intelligence?” Brad would ask. I didn’t know who Faust was either and I never found out until I saw F.W. Murnau’s 1926 formerly silent film, Faust, with music by the Willem Breuker. This is a match made in heaven. Willem Breuker Kollektief has been to Rochester at least ten times in the past. Willem can’t travel with the band anymore because of his heath but his band sounded fantastic in the Bop Shop atrium last week.

William Breuker Kollektief at the Bob Shop in Rochester, NY performing music from Faust
William Breuker Kollektief at the Bob Shop in Rochester, NY performing music from Faust

Their next stop was the Dryden Theater at the George Eastman House where they were performing the score to Faust live. I wasn’t able to make that show so I bought the dvd of the movie from the band. The movie is incredibly rich looking for an old black and white. The set designs are stunning. The short ceilings and small doors frame the actors like a fanciful puppet show. The special effects are dreamlike and artful. This movie is timeless and holds up to anything made today. Willem Breuker’s score covers a lot of ground and is equally timeless. The band is so musically fluent, they are able to turn on a dime and keep up with the devil in the midst of the plague and a metaphysical conflict between good and evil.

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The Butterfly Knot

Margaret Explosion played a party after the screening of Brian Strine’s film, The Butterfly Knot. It was a pretty cool gig. It’s always good if the band has a good time. Bob Martin was out of town so Jack Schaefer sat in with us on bass clarinet and guitar. The party house was perfectly funky. It’s been around since the fifties and used to be called, “Valley Echo.” We made a note to rent this place for a party. Matt Pfohl, the film’s co-star sat in on drums and rocked the house.

Ken Frank on bass, Matt Pfohl  (star of Butterfly Knot) on drums and Peggi Fournier on soprano sax.
Ken Frank on bass, Matt Pfohl (star of Butterfly Knot) on drums and Peggi Fournier on soprano sax.

The movie was shot in the Thousand Islands and cuts a deep groove. The soundtrack is in flux while the contracts get ironed out but it is all seventies stuff like Gram Parsons and Emmy Lou Harris doing the Bee Gee’s “To Love Somebody.” Blind Faith and Nick Drake were in there for the screening but may have been dropped by now. John Martyn has a track and his wife, Beverley sets the mood for the pot scene. I guess the ending is in flux too because they passed out questionnaires trolling for endings.

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Mug Shots

The girl who ran the cash register at Red and White on Park Avenue asked me if I was going to the David Bowie show that night at the War Memorial. I remember feeling guilty that I wasn’t planning on it. It was the first stop on his “Station To Station” tour. The next morning’s paper had a front page story about the felony pot bust that snagged Bowie, Iggy Pop and Rochester’s Chi Wah in a hotel room with the weed. Iggy didn’t play here or anything. I started a job that year as a graphic artist in the Crime Analysis Unit of the Rochester Police Department. My job entailed pulling mug shots for flyers in an effort to match perpetrators who lived in specified areas of the city with the crimes that were occurring in those areas. Bowie’s photo had recently been snatched but the record was still there.

David Bowie performed in Rochester, New York in 1976 and was arrested for pot possesion after the show.
David Bowie performed in Rochester, New York in 1976 and was arrested for pot possesion after the show.

ZiggyStarBust is auctioning that photo now on eBay (Current bid US $2,225.00). He says his sick brother found the photo in the trash at an estate sale of a retired Rochester Police Officer and every penny will go to his brother. He sent the photo to the Smoking Gun first to get a buzz going. Click the photo for a blow up.

My job with the cops lasted one year and and they all lost interest in the project so I was left reading the New Yorker and hanging around. I got so anxious waiting for the day to end during this period that my doctor prescribed valium. I did develop a fascination for mugshots and have painted quite a few over the years.

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