I’m watching this morning’s Apple presentation in a separate window as I type a few notes here. Note: Buy a 13″ MacBook Pro with Retina Display or maybe a 27 inch iMac. Can’t decide. Probably won’t by either. I know the whole world has gone mobile but I haven’t. I’m still happy with the first gen iPod Touch. The last thing I want when I leave home is a phone call. Got to sign off now before they introduce that iPad Mini.
Andre Osores painting entitled “Fall Walk” in Brighton Art Show 2012
My father entered his Washington Square Park painting in the art show at the Brighton Town Hall auditorium this weekend. My mom didn’t like the location or the height at which they hung his painting and she told the town officials so.
I particularly liked Andre Osores’s psychedelic fall painting, its leaves in your face, shallow depth of field, the lovely birch trees and especially the fact that someone road their bike to the woods to talk a “Fall Wall.”
Untitled Paul Dodd charcoal drawing for Bill Jones
We stopped up to see Bill in his perch atop the brand new Wilmot Cancer Center. He has a corner room on the southeast corner of the seventh floor overlooking the Bristol Hills south of Rochester but he woke up thinking he was in California. Such is his pain management state. I picked this drawing out for him and brought it up there. I asked if there was anything else we could bring him and he said, “some man-food. Three six-packs of beer.”
Three Matisse drawings in Fred Lipp’s class at Creative Workshop in Rochester, New York
Fred Lipp brought three framed copies of Matisse drawings in to our art class this week and set them on my work table. He called them really fine examples of minimal maximal drawings. Matisse is indeed the master. With deceptively simple line drawings he creates an immense amount of volume along with expression.
These three self portraits demonstrate Matisse’s understanding of Cezanne’s use of space and all carry on from “The Watchmaker“. His understanding of these principles allows him to knock you out with amazing composition. The forms not only occupy the space they animate the space and the environment animates the form. They are close to sculptural. You can almost encircle the figure with your gaze.
Shaggy Mane mushroom on golf course in Durand Eastman Park in Rochester, New York
This Shaggy Mane, also known as Lawyer’s Wig, greeted us as we burst through the woods out in to the opening of the golf course at Durand Eastman. This one is edible but it’s a little old. We’re pretty good at spotting mushrooms but we don’t have the confidence to snag them for food. The orange “chicken mushrooms” are supposed to be good and they’re pretty common in our woods. (Can’t believe I call it “our woods.” We do seem to be the only ones who use it. Our friend Shelley picked some oyster mushrooms while we were up in the mountains and we planned on having them for breakfast before we left but but it rained and that puts the outdoor kitchen stove off limits.
The Adirondack Mountains certainly aren’t wired for cable modems and it is so sparsely populated that it is not in any cell phone provider’s interest to erect towers everywhere so most people are left with the spotty satellite connections. The coffee shops in the small towns all have free wifi now and and they are becoming real hubs of activity. We stopped at one in Speculator that had a laptop sitting on table for customers to use. I was tempted but I couldn’t think of any good reason to check my email. I’m kind of enjoying the dead zone.
The Adirondack Mountains region is one of the most beautiful parts of our country. From Rochester only a morning’s drive with one stop for bathroom and coffee and yet it had been over a year since our last visit. We stayed with our friends, Pete and Shelley and kept them up til the the wee hours. The stars up here are killer. It was a new moon and a perfectly clear sky on Friday night. Looking straight up at midnight was a trip. The daytime view was equally astounding.
I love Peggy Lee’s “Is That All There Is.” If there is funeral service for me someday I hope someone will play it.
This graffiti in an artist’s installation at a museum in Sevilla, Spain caught my eye when we visited last year. The museum is in an old tile factory and the facility is as nice as the art. The graphics department at Earring Records used my photo for the cover of “Wall to Wall Carp,” one of the twelve songs on the new Margaret Explosion virtual, black vinyl, long playing release entitled “Untitled.” In keeping with the new economic band model the entire lp is available as a free download. Check it out.
Rose Mary Hooper painting at Creative Workshop gallery in MAG, Rochester, NY
Some painting students at the Creative Workshop are lifers. Like prisoners who exercise at different times during the day we don’t get to interact with people in the other classes. But when the the staff hangs a show in the Lucy Burne Gallery we acknowledge the common bond we all share, the struggle to more clearly express our visual take on the world. Rose Mary Hooper, in the day class, always knocks me out.
Last night in class I made just a few marks on a piece of paper. When the class officially started (the moment Fred Lipp enters the room) I became entangled in a confrontation with Cezanne’s “The Watchmaker.” Fred wanted me to study it because it demonstrates Cezannes power to animate a sitter. He does so by advancing the right side of the painting while the left side recedes. The eyes lead the way but the whole right side of the body follows. The slant in the wall, downward to the lower right accentuates the twist and convincingly opens the space around the sitter.
My task is to look for clues in the essentially straight on, dead pan mug shots, clues that convey a movement, an expression and use these clues in the structure as tools to bring more life to my subjects. It all seems so obvious but I couldn’t see it until I digested it and I spent the whole class trying to do so.
Video head shots by Ann Oren in current “Me Pix” show at Rochester Contemporary
Leaving the Hochstein last weekend we drove by Plymouth Photo. I was so surprised to see they were still in business. Joe used to be the best at knocking off passport photos and head shots for business people, actors, politicians, and especially aspiring models. I just assumed his business was swallowed up by the DIY digital machine. We still get head shots in the mail, more than ever actually, and I attribute that to the new parenthood model that sees exceptionalism in their offspring. I’ve taken to slicing the 8×10 heads in two and recombining them in mutant forms.
I was immediately attracted to Ann Oren’s video installation in the current “Me Pix” show at Rochester Contemporary. Like Andy Warhol’s “Screen Tests”, mentioned in yesterday’s post, Oren uses non actors as well as professional actors in her piece called “The Audition.” While it is interesting trying to determine the genuine from the fake as the models sell themselves the most interesting thing is how we squirm while watching them.
I love this little guy. He sits by our neighbor’s pond looking over the real frogs and goldfish and today he reminded me of Martin’s post on mindfullness.
We took a walk with the neighbor on the other side this afternoon. She got two phone calls while we we were in the woods. That was a different experience for us. She drove down to the Metropolitan over the weekend to see her brother perform withDean & Britta, doing their Warhol Screen Test thing in conjunction with the “Regarding Warhol” show there. She went to high school in Manhattan and told us the auditorium the band played in was the same one where she and Dean had their high school graduations.
We watch the chipmunks dart in and out of this hole in our sidewalk all day long. They have their own metropolis down there, tiny highway systems, food storage lockers, miniature coonskin hat factories, recreation rooms with large screen tvs, bunk beds and gymnasiums with wrestling mats. They also have a small office down there where chipmunk engineers are drawing up plans for squeezing this large nut through their small portal.
Tom Harrell Quartet at Exodus To Jazz in Hochstein School of Music Hall in Rochester, New York
Tom Harrell was a highlight at both the 2006 and 2012 Rochester Jazz Fests. Beautiful melodies and fantastic players in his band each time. At Hochstein on Thursday night he played with a piano-less quartet, tenor sax with Tom’s trumpet along and Ugonna Okegwo on bass and Adam Cruzon drums. Peggi told me he may have been the best drummer she had ever heard but nobody can touch Ed Blackwell. This is a great venue for live jazz. The hall is relatively small and has a crisp, natural ambient sound. Really great players don’t overplay. They blow you away by coming up with the perfect parts and playing with the perfect touch and perfect feel. This was heavenly.
I took a movie of their last song and was going to throw it up on YouTube but it is out of focus. My camera (Nikon P7000) loses focus if I zoom while recording. I’m trying to learn not to do that. Damn thing sounds great though. Last time we were at Hochstein I took this movie of Kenny Garrett with my old camera, a Nikon 5100.
On Friday night we headed out to the Lovin’ Cup with our earplugs in my pocket. We walked in just as Rocket From The Tomb (early Pere Ubu) took the stage. This is a whole world away from jazz but it was a gas going back in time to somewhere between the late seventies and early eighties. I tried the movie thing again. Guitar player, Gary Siperko, is from Ithaca’s Mofos.
Saturday night was now. Somewhere between jazz and rock, Margaret Explosion played a benefit for our little buddy, Oscar, at RIT’s Lyndon Baines Johnson building. Go Oscar!
Apple has a tribute to Steve Jobs on it’s front page this morning, marking one year since his passing. Following the “related stories” link under that story, something I seem to spend half my day doing, I found “Ten Steve Jobs Quotes” including this one, “I think death is the most wonderful invention of life. It purges the system of these old models that are obsolete.” Its a brutal assessment when you’re looking to fill the void.
We met Peggi’s family in Cabo San Lucas one Christmas and the hills outside that noisy tourist town smelled like cilantro. It grows like a weed down there. We planted cilantro seeds this Spring and the plants grew quickly but then turned spindly with more shoots and then seeds than leaves. This has happened to us before. I have always wondered how Wegmans gets those big leafy bunches. This year we let the seeds (coriander) go and in month’s time we have a beautiful patch. Nothing but leaves and delicious in salads.
My cousin has organized a family reunion this weekend and another cousin, a nun, was arranging to bring her father (my uncle) and our aunt (who went into and then out of hospice, the only person I know to have done so) to the picnic in a handicap van. But my uncle has taken a turn for the worse and is “on his way to heaven,” according to his daughter. That’s a comforting thought.
We drove our friend, Bill, to the Oncology Center yesterday so they could radiate the base of his spine in order to shrink his newest tumor, one that has made it painful for him to bend over. On the way home we stopped at the Mobil station at Twelve Corners to pick up his car. A mechanic there massaged the transmission so it would pass inspection and Bill wanted me to drive it home. I stayed in second gear the whole way and managed to get it into reverse before shutting it off in his driveway. Bill said he was thinking of giving the car to someone.
Advertising makes the modern world go ’round and this Avon promotion really lit up the mailboxes on our end of the street this morning. I was headed out to get the papers, still in my pjs and bleary eyed when I spotted this apparition. Had to go back in and get my camera before anyone disturbed the installation.
We still refer to the house next door as Leo’s even though he died two years ago but the new tenants are fairly disciplined and will soon have left their mark. One is a writer and from my perch her silhouette can be seen every morning in the saddle at her desk in the back room.
Leo’s lovable legacy includes his depression era skimpiness. When we first moved in he asked if he could put a few things in our trash and of course we said yes. We soon learned he had never purchased a trash pick-up contract and this would be a weekly routine. When a carpenter was rebuilding a wall in the basement for the new tenants he took all his measurements with his twenty five foot tape rule and then mistakenly picked up Leo’s tape rule to measure the lumber. He constructed the wall on the ground and then lifted it in to place and discovered it was ten inches short. It took him a bit to figure out that Leo had broken his tape measure and and instead of springing for a new one he cut out the inches between ten and twenty and then put it back together.
Paul Dodd and Fran Dodd jump into quarry in Bloomington, Indiana
I’ve been spending a lot of time with my youngest brother these days. Funny how that age ranking relationship disappears over time. He’s an expert mason and gets the best fancy brick (and fake brick) jobs in the city because of his reputation. We have a concrete block house so he has helped us out with repairs and a recent improvement and we always feel lucky for the time he has to spend with us.
It was the summer between my brother, Fran’s junior and senior year in high school when my parent’s had had enough. They asked if Peggi and I would take Fran for the summer and we said yes so they drove him out to Bloomington and dropped him off.
He got a part time maintenance job at Peddler’s, the woman’s clothing store that Steve Hoy’s sister ran. I was finishing concrete for a construction company and Peggi was working as a dental assistant. Dave Mahoney was working in the dorms and he lived down the street from us. We all spent a lot of time at the nearby quarries. We didn’t usually wear bathing suits but we did when my parents came back out to pick him up. My father took this photo. You can tell which one of us was more of a rebel rouser by the body language.
Paradise Lost is the name of an epic poem by John Milton, a dark rock band from the UK and three documentaries made by HBO in 1996, 2000 and 2011 about the three teenagers in West Memphis, Arkansas who were convicted of the grisly murders of three young boys. The title doesn’t fit the documentary but neither do the charges. West Memphis is sub culture plunge, so deep the real life characters tend to overwhelm the details of the story. After watching the first episode I couldn’t get the accent and presence of the key players out of my head. Maybe it’s because I lived in a trailer (pronounced “tray-ler”) in southern Indiana for a few years. They smoke and pull their teeth out on camera. The accused teenagers dressed in black and liked Metallica whose music is used to great effect throughout the three films. The small town cops and judge saw Satanism and railroaded the jury into convicting.
Three documentaries on the same subject seems excessive. They wander and tug you crazy directions. When I saw the third installment sitting next to our tv I thought what more could they possibly add to this story but it keeps digging deeper and getting better. The clumsy movie making is somehow a virtue. The big budget “West of Memphis” movie by Amy Berg and Peter Jackson is in our queue but I expect it to be heavy handed by comparison.
Bench designed by John Dodd in front of City Newspaper building in Rochester New York
We went on an art run this afternoon, stopped at Rochester Art Supply downtown to pick up some natural white acid free matt board and some 140 pound watercolor paper. Peggi was looking for a frame for a small watercolor but they don’t carry framing supplies here so we headed over to Lumiere. Bill Edwards, the owner of Light Impressions was there setting up green folding chairs for a reception and artist’s talk tonight with Brian Oglesbee. The gallery there was filled with his beautiful prints, no Photoshop by digitally printed as if that matters.
We left the car parked out front and walked over to the Village Gate too see if John Dodd had finished installing his benches. He has two in front of City Newspaper, a left one(pictured above) and a right one on either side of the entry way. He must have just finished installing them as a few people were discussing them as we approached. Mary Anna Towler, the editor of City News, walked out while Peggi was sitting on one and she exclaimed, “We got our benches!” She asked Peggi if they were comfortable.
Bench designed by John Dodd in front of City Newspaper building in Rochester New York
As I write this I’m thinking I should have complimented her on the great job City does each week with their publication. You have to leave town and pick up the alternative press there to realize how lucky we are here to have such a relatively hard hitting, thought provoking rag.
Lorraine Bohonos paintings at 1975 in Rochester, New York
The empty Little Bakery building is a sweet spot. I miss the bakery but was I am happy to see someone else has filled the space. The art gallery 1975 has a group show up there now and it features three beautiful “Untitled” watercolor or tempura paintings by Lorraine Bohonos. Lorraine was in our painting class before moving to New York and glad to see she has returned. My lopsided observational skills see her striving for the same elusive communication of human expression that I am shooting for so there is a real connection here. I came home from this show and rounded up a new batch of models, this time from a Chicago newspaper.
On the way out I took three of Gallery 1975’s small, promotional “1975” stickers and cut them up to form one “1969” sticker which I put on my drum case.
Margaret Explosion CD “1969” (EAR 10) on Earring Records, released 2003
Ted Baumhauer of Flower City Vaudeville performing at the Rochester Fringe Fest
If it wasn’t for all the wood that fell out of the sky this summer we would have been in Christ Church on Saturday night for the psychedelic, 3-D digital graphics show organized by tech wizards at RIT accompanied by improv pipe organ and performed with and projected on dancers from RIT. We told our neighbors we would meet them there and we never showed. We sat down after splitting wood all afternoon and couldn’t get up. Maybe we can get them to perform with Margaret Explosion on Wednesday at the Little Theater.
We did catch the second Flower City Vaudeville show and enjoyed ourselves immensely. Like an old fashioned circus or theatrical variety show with five minute segments, it is live performance, no editing. Jugglers occasionally drop the pins. Acrobats keep you on edge and remind you how rigid your body has become. Bad jokes are funnier in person. Ward Hartenstein’s radio show with a trunk load of sound effects comes to life off air. And impromptu guests spots, like when Rick Simpson brought the little kids on stage to hold spinning plates above their heads, become moments of brilliance.