We Need An Opera Revival

Mercury Opera's production of Tosca
Mercury Opera’s production of Tosca

We had a nice dinner with Peggi’s mom last night and then the three of us headed off to Mercury Opera’s production of Puccini’s “Tosca”. It is sort of a love triangle where everybody dies. Peggi’s mom told us that much before dinner.

Peggi hung the handicapped tag on the rear view mirror and inched up to the front door of the Eastman Theater to drop off her mom. A car darted in front of  us and a woman jumped out and told Peggi that we had just run a red light. It was probably green when started going through the intersection because we were only doing about three miles per hour. This opera crowd is tough.

I slipped my camera out in the first act, made sure the flash was off, all the while keeping the camera against my body and I held the camera under my chin for a few shots. The guy sitting next to me leaned over and said, “That’s very distracting”. I couldn’t tell what he said so I said, “What?” He said, “That’s very distracting”. He had an Australian accent and he looked a bit like Russell Crow so I put my camera in my lap.

The opening scene with an artist, his lover and and an escaped political prisoner all in a church had real potential but it was coming off cute. The sets were beautiful and creatively lit. The three main characters had great voices and strong stage presence.

Opera used to be public entertainment. Someone has stripped the entertainment from these sung plays. The focus is on the trained voices and opera people know the code for signaling their approval of the craft. But what about bringing this play to life so the audience can take their minds off their mink coats and manners?

And they should not have those stupid translations up above the stage. They are like the tags in an art gallery that tell you what your looking at or what the artist had for breakfast. Either everyone should learn Italian or the the opera should be sung in English.

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Behold, Darkness Shall Cover The Earth

Newly renovated Eastman Theater
Newly renovated Eastman Theatre

Peggi’s mom bought us tickets to Handel’s Messiah at the Eastman Theater but we we were a little late getting there so we had to sit in the back until intermission. The sound back there pretty good. It was a good natural mix and not particularly boomy in the low end or anything as I remember it. It just wasn’t present enough back there. The Eastman has recently finished the first of a three part renovation project and the sound stage portion has been completed. It has been re-designed to take advantage of advances in acoustical innovations and I would say they did a great job. The next two phases improve accessibility, a concern of particular interest to this age group, and an all important food concessions lobby. We moved down to our assigned seats at intermission and the sound was excellent.

Christopher Seaman, conducted and played harpsichord at the same time. That was kind of fun to watch. There were about 120 vocalists in the Rochester Oratorio Society on stage with the orchestra and with all those people I would expect something a little more boisterous but it all seemed all seemed too stuffy.

I spent a lot of time looking at the big panels behind the musicians. You know how when a storefront or an old building boards up a window and it looks like it was done for security reasons because maybe the neighborhood is declining or something. Well, that’s how this renovation looks to me. It sounds good but damn, is it bleak looking.

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