Moving On

CaminoFavorites2018

I am ready to move on but I am still savoring and digesting our big walk. Peggi and I did the Camino in two installments, a month long each, passing through Madrid on both ends of both trips. I took a lot of photos on this journey and edited them down to this batch (click on “CaminoFavorites” on the photo above and go full screen). It visually tells the story and I may want to reread it.

Jim Mott suggested we do a slideshow. He suggested that on two occasions so I considered it. I’ve not used my projector since “Subterranean Surrogates'” when it ran for a solid month in the Lab Space at RoCo. So I cleared a white wall in the studio and brought every chair we have in our house down to the basement. We invited Ann Schauman who encouraged us to do it after she completed it, people who commented on my Camino blog posts, Hispanophiles, a few artists and friends and Jim Mott, of course. The old fashioned idea worked like a charm. The conversation flowed and it was closer to a party than a presentation. We’re ready to take this show on the road.

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Commute

These elements just fell together, a dreamy, hypnotic Margaret Explosion song from a performance at the Little Theatre Café last year and some blurry photos I took a few years apart on train rides from New York to Rochester.

Peggi Fournier plays soprano sax, Ken Frank plays bass, Phil Marshall plays guitar and I play drums.

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Trikonasana

Paul and Peggi doing triangle pose against the wall in yoga class
Paul and Peggi doing triangle pose against the wall in yoga class. Photo by Jeffery Young.

We had just a touch of fresh snow last night but it was enough to bring some crisp traction back to the ski paths. And at sixteen degrees the trails were crunchy. A wind was coming off the lake as we skied toward it and just as I said, “There’s no one out today,” we saw our first fellow skier. He smiled as we passed each other and said, “It doesn’t get any better than this.”

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Transgender Wall

X Country ski trail groomers at Durand Eastman Park
X Country ski trail groomers at Durand Eastman Park

The vulture capitalists have already taken a big bite out of our local Gannet paper. I’m reporting this because I know full well that no one reads the print version of the paper anymore so you wouldn’t know this. I have been a faithful reader since my pre-teen paper route days.

The paper got smaller at first. That is the sheet size shrank. And then the B section, what used to be local news, went national. The articles were plopped in from USA Today. And the C section, what used to carry arts and entertainment articles, now might have a piece on craft beer, if you’re lucky. There is no one left at the paper to cover the arts scene.

The letters to the editor were dropped on weekdays, a community forum that required only an editor to open the mail. The nationally syndicated columnists were gone too. This week they cut out the B and C sections entirely. The paper is just two sections, A and D. If you go to the Democrat & Chronicle’s website you will be assaulted with full screen pop-up ads and tiny articles.

Local Eagle Scouts are in jail for threatening to blowup Islamberg, a rural New York hamlet. The President wants a powerful wall. There is a lot going on out there and Will Cleveland cannot cover it all.

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Lonely Block

Four "Untitled" entries to Rochester Contemporary 6x6 Show, oil on wood, Paul Dodd 2019
Four “Untitled” entries to Rochester Contemporary 6×6 Show, oil on wood, Paul Dodd 2019

Rochester Contemporary’s annual 6×6 Show has afforded me the opportunity to push the boundaries of one idea for five years now. Revisiting that idea each year, probing it for new life or attempting to reduce it further. You can see all five year’s pieces here.

I pictured a simple block, something with a third dimension to it like those painted toy building blocks we had when we were kids. Years ago we helped our friends, Pete and Shelley, finish the roof of their Adirondack home and I fell in love the rough-cut pine boards they were using. They came from a local saw mill and they gave us a few. I went out to the garage to cut them into 6 by 6 inch pieces but the boards I found weren’t wide enough. So I put two pieces together, ripping the boards in a pleasing proportion, leaving the rough cut exposed when possible and gluing them together.

They are awkward to hang. I ask that they be hung in a specific order and hope they don’t wind up being separated when the show is hung. The first year I painted the two boards a different color, three colors for the four pieces, all straight from the tube. The second year I toyed with leaving the wood unpainted altogether as the the two pieces were different tones but I chickened out. I let the natural wood show and only used two colors.

Year three I reduced the palette to one color. I ripped the boards in three inch widths this time and painted either a square within the square piece or the space surrounding the square. I played with black and white for the fourth year but decided the white would not hold its own on a white wall so went to this silvery color. If they hadn’t sold each year I would have moved on (RoCo takes 100% as a fundraiser.) This year (shown above) I pushed it and left the blocks au natural. After a few days I decided to strengthen the dark portion of each piece by coating it with a quick drying oil.

Finally, I went to the Rochester Contemporary website to see if they had reduced the number of submissions per artist as I heard they might. Sure enough they are only accepting three this year so one of these will be voted off the island.

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In Pursuit Of Magic

Nathan Lyons photos in "In Pursuit Of Magic" show at Eastman Museum
Nathan Lyons photos in “In Pursuit Of Magic” show at George Eastman Museum

When you look at a photo do you respond to the content of the photo or the decisions the photographer has made in presenting this representation of the subject matter to you? Nathan Lyons lets you have it both ways in equal measure. And on top of that he arranges playful pairings, note-perfect in composition, improvisation, texture and subject matter. Furthermore he sequences his photos so the narrative carries forward.

Nathan Lyon’s show, “In Pursuit of Magic,” opened tonight at George Eastman Museum. Lyons was a director there a half century ago and he had a show there called “Riding First Class On The Titanic” in the first part of this century. We bought the book and lent it to someone. Can’t remember who so I may have to buy it again. I remember the photos in the book were bigger than the 5×7 prints in the show. His black and white prints are super rich and when he switched to color, late in his career, they are still small but only got richer.

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Scat Singing

Peggi skiing home in the woods near Durand Eastman
Peggi skiing home in the woods near Durand Eastman

In case anyone hasn’t noticed, the cross country ski conditions are excellent. We skied around our neighbor’s pond and down into the woods across the street. There is so much snow you can hardly get up enough speed to hurt yourself. There is too much snow for the deer. Judging from piles of scat, they have spent the last few days on our ski trails. Out on the golf course we came across the groomer. He had rolled his snowmobile and the 1,000 pound sled that he drags to groom the trails was buried in the snow.

We took the ridge trail out to the lake and found it nearly frozen out about a hundred yards. Peggi suggested we walk to Marge’s on the ice.

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Miracle Whip

Last night's snowfall on our deck railing
Last night’s snowfall on our deck railing

Wegman’s was wacky before the snowfall. We walked up there along Sea Breeze Way and had spaced out enough on the way to have forgotten about the impending storm. We remembered when we saw cars backed up trying to get in the lot. Shoppers were almost giddy. A guy from Custom Brewcraft was pouring tall samples of their new IPA. Every cashier lane was open and our cashier was moving so fast she put a jar of Miracle Whip from the guy behind us into our bag. Of course we had paid for it so we had get in the Customer Service line to get our money back.

It snowed enough on our walk back that we decided to put our skies on and try the woods. There was just enough to cushion a fall but we both stayed upright. It snowed so much last night that by this afternoon we couldn’t even see yesterday’s ski tracks. There were seven deer standing in the creek. We stopped on the bridge to watch. Only 9ºF my fingers were too cold to take a picture.

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Underside

Underside of the Susan B. Anthony Frederick Douglas Bridge in Rochester, New York
Underside of the Susan B. Anthony Frederick Douglass Bridge in Rochester, New York

Am I the only one who misses the early html days? When websites were fun, both to design/program and visit. Before php, css3, html5, responsive coding and social media. I accept that the answer to my initial question is yes so let’s move on.

While standing under the Freddy Sue Bridge I was thinking about this piece I did on the Refrigerator back in the day. I couldn’t even find it online. There were no links to it but it is still out there floating around like a whole lot of other content must be. I managed to find “Click On A BridgeTo Go Under” only by looking at the local copy on my computer and surmising what the url might be. Digital photography was brand new when I did it and that was probably the only reason the photos looked interesting to me at the time. They were only one half or one gig photos and from a camera that was terrible in low light.

In 2001 I did a piece for the “Hide & Seek” show at Pyramid Art Center. It was a digital installation and it ran on a pc at the gallery during the show. It was sort of a digital maze. I visit it every once in a while thinking that it might have totally fallen apart but it has held up pretty well. I’m afraid to look at it on a mobile device. – Check it out.

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Iconic Tree

The iconic oak tree is missing from the marsh on Hoffman Road in Rochester, New York
The iconic oak tree is missing from the marsh on Hoffman Road in Rochester, New York

I have photographed this marsh on Hoffman Road many times. It wasn’t always as wet as it is today. Old-timers say there used to be garden plots down here. Development on high ground has repercussions. The giant oak that stood out in the middle, the one I photographed with an eagle perched on it, is gone. It fell over.

When you check a new release out of the library you know you’re going to be back there in a couple weeks. When you bring a newly released dvd home you know you’ll be back in a few days. And each time you visit you come back with something else so this goes on and on. It is a bit of a trick to work a variation into your route each visit.

We walked to the end of Hoffman and across the small foot bridge over the creek. There is an old horse trail that starts there and works its way up to Kings Highway. It is way overgrown and only passable in the winter when there is not too much snow. And there are number of fallen trees laying across the path. Its an obstacle course but it made for an exciting trip. We came home with a restored version George Romero’s “Night of the Living Dead.”

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Walk More

Broad Street Bridge from the west side of the Genesee River in Rochester, New York
Broad Street Bridge from the west side of the Genesee River in Rochester, New York

This mild winter has allowed us to continue walking. We have always walked but we ratcheted up the distance last year in preparation for our walk across Spain and our weather has permitted that to continue. Or maybe it’s not the weather at all. Maybe it is simply that the more you walk, the more you enjoy it so you walk more.

We walked in and out of downtown on both sides of the river and I was thinking about Paris Texas, the movie we had watched the night before. There wasn’t nearly as much walking in it as I remembered. We saw it when it came out and at least once since but I remember marathon walking and there is very little of that in the movie. It must have made an impression.

Like Robert Frank’s “The Americans,” Wim Wenders’ outsider take on America did not initially meet with success. We loved it and the soundtrack. We bought the vinyl and I played it last night during dinner. When Personal Effects was recording the soundtrack for the Planetarium show we deliberately aped Ry Cooder with an instrumental called “Cirrus.”

This time around Dean Stockwell was every bit as good as Harry Dean Stanton. Hard to believe he had quit acting before this film and was apparently working as a real estate agent. The real star of the movie is Sam Sheppard’s script. Hunter, played by Karen Black’s son, was astounding.

The extras had thoughtful interviews with Wenders in German, French and English. I loved “In His Own Words,” Wenders’ movie about/with the Pope and I liked the extras from that, shown on 60 Minutes. My profile has been built and I am ready for more Wim Wenders recommendations.

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Down Time

Holiday lights along ledge in living room
Holiday lights along ledge in living room

When the holiday fanfare dies down and the neighbors leave for Florida the heart of the season is just beginning. The lakes in Durand have ice fishermen on them, high school kids are playing hockey in the coves and hundreds of ducks are flocking together beyond the ice formations along the shore of Lake Ontario. The slate grey skies make the male cardinal look like it is on fire. And the threat of 18 inches over the weekend has made us giddy.

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What Are You Looking Up Here For?

Alan Singer painting at Axom Gallery in Rochester, New York
Alan Singer painting at Axom Gallery in Rochester, New York

We were about four hours early for the opening of Alan Singer‘s new show at Axom Gallery. This gave us plenty of clear shots at the vibrant work and it allowed space for a few of the pieces to jump off the wall. Alan mixes science, art, and mathematics in work that looks tightly controlled at first glance but like LSD it opens up, becomes confounding and ultimately delights. I could look at this piece all day.

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Illustrated Fish

Fish guy at Wegmans in Pittsford Plaza with his drawing of a fish.
Fish guy at Wegmans in Pittsford Plaza with his drawing of a fish.

My grandfather was a butcher. It is a craft. He took great pride in his work and it was evident when he cut off a big slice of freshly made liverwurst and passed it over the counter to me. He also owned the store so salesmanship, good business practices and knife work were required for him to become successful.

The Asian behind the counter in the fish department at the Pittsford Wegman’s had all these skills. We were considering buying some Red Snapper. (The fish at the top of the picture above is a Red Snapper.) We had made it a few months back. We baked the whole fish and split it down the middle before plopping it it on our plates. It was delicious but we had to eat each small bite very carefully as it was full of bones.

The fish guy told us he would cook it exactly as we did and then eat it with chopsticks because he knew how to pick around the bones.  He drew the fish (above) in a few seconds. He even made the fish smile. He illustrated where to look for the various bones. He grabbed another fish, one that he had just filleted, and suggested we cut the fish open before we bake it, remove the bones, put it back to gather like a whole fish and then bake it. 

His presentation was so good Peggi that told him that Wegmans ought to video him and share his tips on their website. He liked that idea and said he would propose it.

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Post-Apocalyptic Movies

"What Men Want" poster at Regal in Culver Ridge Plaza
“What Men Want” poster at Regal in Culver Ridge Plaza

After Tarkovsky’s meditative psychological drama, “Solaris,” which we spent three nights with, the post-apocalyptic horror film, “A Quiet Space” felt kind of cheap. It was hard to give a hoot about the nuclear family and the director didn’t bother warming you up to the characters before they started introducing the quick cut, scary things. I spent a good bit of the movie wondering if the male lead would have been a better actor if you could see his face behind the bushy beard. But I guess anything would seem bankrupt after Tarkovsky.

We brought a dvd of “The Post” home from the library and really loved that. A meaty true story told at a brisk, edge of your seat pace, there were only a few places where Spielberg felt the characters needed to explain themselves. And they didn’t. The politics were handled really well.

There was only one other couple for a screening of “Vice” in the stadium seating theater in Culver Ridge Plaza. This movie was a mess. They did not handle the politics well. They could have just told the story of big footprint Cheney and it would have read as horror but instead they tried to be cute or something. I was afraid to google what “What Men Want” is all about.

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Going Pro

CaminoDeSantiagoPt2

I guess I joined Flickr ten years ago. At least that is what it says at the top of my Photostream page. Mostly I used it as a backup for my photos. With a free membership they gave you an insane, one terabyte of storage. Well, that business model broke and free members were recently informed that their limit will now be a measly 1,000 photos and the new owners threatened to dump the rest of your photos unless you go pro. I didn’t upload a thing for months while I looked around for an alternative. Today I went pro.

I promised my cousin I would send her a link to photos from the second leg of our Camino adventure. Peggi and I did the first half of the Camino with her but we had to be back here for some Margaret Explosion gigs. She continued on without us and then we covered the same ground – Leon to Muxia – in October.

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DIY

Poster for Hi-Techs and New Math at Scorgies in Rochester, New York on 04.25.1980 and 04.26.1980.
Poster for Hi-Techs and New Math at Scorgies in Rochester, New York on 04.25.1980 and 04.26.1980.

I played drums with both of the bands on the poster above. I made this poster for a gig at Scorgie’s. I’m not sure how it works today but in the early eighties bands were given the door and if the club owner didn’t make enough over the bar you were not asked back to play. So bands made posters, had them copied or printed, and then plastered them all over town. You had to watch out for cops and it was sort of a nasty job, wrestling with tape in the freezing cold, but a good poster paid off.

It wasn’t always like that. When New Math started playing in the late seventies we were booked through management companies. I remember someone named Jim Armstrong who got us into the Orange Monkey and the Penny Arcade and some gig at a college. There was someone named Howie who booked us into a club on the river. He went on to manage Poison in LA. Somehow we got into the Electric Circus and Big Daddy’s. But the music scene was changing. And so were the clubs. Everything, even the song writing, was DIY.

I wish I had a copy of every poster I made in those days. I tried to keep a copy of each. The Hi-Techs came together at the very end of the seventies and we broke up in the middle of 1981 so it was a short ride. Three of us went on to form Personal Effects and we played gigs from ’81 to ’86 before falling apart and then getting back together for the Planetarium gigs and a few reunions. We took cell phone shots of the posters we have and Bob sent us scans of the ones he has.

Here are links to the Hi-Techs posters and Personal Effects posters.

Personal Effects "It's Different Out There" on Earring Records 1985 EAR 3
Personal Effects “It’s Different Out There” on Earring Records 1985 EAR 3

Personal Effects – “Nothing Lasts Forever”

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Peaceable Kingdom

Shadows on concrete building along Eastman Lake in Rochester, New York
Shadows on concrete building along Eastman Lake in Rochester, New York

If everyone was nice the world would surely stop spinning. Why someone would go out of their way to send someone that they don’t know a nasty letter is just one of those things. It hardly makes sense. But if you wanted to delve deeply, to descend to those depths, you could probably come up with an explanation. But it would only make as much sense as, “That’s what makes the world go ’round.”

But to call that anonymous someone on it, to rub the letter in their face and capitalize on it, that advances the ball. Bleu Cease did just that when he posted the letter to Facebook and received hundreds of well-deserved, supportive responses. BuzzFeed picked the story. In a brilliant move Bleu took one of the anonymous letter writer’s own phrases, “Cool, Artsy, With It,” put it on a t-shirt and the gallery has sold nearly a hundred.

Everybody has experienced a variation of this story but they usually don’t have such a positive outcome. In 1969 I was jumped by three frat guys at Indiana University. I assume they they were fraternity brothers, they all had yellow Greek symbols on their jackets. The length of my hair triggered a “beat up the fag” response and after getting a few good punches in I was left knocked out, face down on the sidewalk with a broken nose, jaw and glasses.

When we saw Bleu on Friday I told him I wished it was a better slogan on the t-shirt. He said there were others in the letter that he might use down the line. Like, “What Makes You Tick?” “Nothing But A Freak,” “Going Down The Tubes” and my favorite, “Off The Main Steam.”

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The Rounds

Scott McCarney "Married After Gilbert & George" on view at Colleen Buzzard's Studio
Scott McCarney “Married After Gilbert & George” on view at Colleen Buzzard Studio

It is getting harder and harder to make the rounds on First Fridays. We get bogged down at each stop, mostly in conversation and we wind up running out of time to complete our short list of stops. Jim Mott reminded us that artists are influenced by one another, sometimes in the least obvious of ways. Colleen Buzzard and Dejan Pejovic asked me if I was doing any painting and I answered that I have been organizing my digital life. That response threw both of them and Colleen said, “That doesn’t sound like any fun.”

I love this 2009 Scott McCarney piece, “Married After Gilbert & George.” And it is great to see it out in the open again at Colleen Buzzard’s Studio. Scott has transformed this gallery space with a collection of work pulled from storage. A large paper quilt fills your field of vision as you step off the fourth floor elevator. The show, entitled “Disjecta Membra,” brings Scott’s prints and artifacts together with the bound bookworks of their origin. Married After Gilbert & George” appears here in book form as well. As Scott says, “The private act of turning pages on a horizontal surface can be experienced in tandem with the public viewing of images on a vertical plane.” The show runs through January 12th.

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Shut Down

Snow covered green at Durand Eastman GolfCourse
Snow covered green at Durand Eastman GolfCourse

I feel as though I accomplished something even though it took the best part of the day to straighten out our Apple ecosystem. I mentioned how our iTunes stream crapped out during our party. The Airport Express, sitting next to our stereo, lost its wifi connection but it still had the green light on. I only found that out the next morning when I opened Airpot Utility and saw it had no signal. I rebooted the Express and my computer and then HomePod played what it wanted while something else was coming through the stereo. I tested HomePod by asking Siri what the definition of is is and then “When was the War of 1812?” I learned that HomePod remembers commands and when we asked it to shuffle music, it will until it gets further instructions (which it lost when the Express went under). And I found out where you go to control it.

I got up the guts to turn iCloud Music Library back on in iTunes and stuff flooded onto my iPad mimi and I’m good to go. What did I learn? I’m thinking maybe I didn’t unplug the Express long enough in order for it to straighten itself out. It is good to shut everything down. It fixes things. Pete LaBonne wrote a song about it, “Shut Down,” on Glob. I’m planning on shutting down right now.

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