Moment vs. Delivery Time

Durand Eastman in late Fall 2008
Durand Eastman in late Fall 2008

It will be a relief to play as Margaret Explosion tonight. The gig we did as Personal Effects required rehearsal time, stamia and earplugs. The night before Thanksgiving is usually a good night at the the Little. A woman from my high school class came to see the band when she was in town for our reunion and she asked if her husband could sit in with us on piano when they came back for Thanksgiving so we’ll see what happens.

Last night was my last painting class for the year. Lorraine Bohonos had some beautiful paintings near completion and Geri McCorrmick is breaking out of her concentric mandalas and Maureen Outlaw worked on the end stages of three fantasy scenes. I worked on a crime guy’s honkin’ neck all night. I still seem to spend a lot of time fumbling around trying to find a solution to a problem that I created. These kind of activities test my patience even though I know it is the process that I must learn to enjoy.

Margaret Explosion is a relief because it is all about the moment where Personal Effects was mostly about getting it right for the delivery.

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