Bill Keyser has a few degrees, a mechanical engineering degree from Carnegie Mellon, an MFA in furniture design from RIT where he taught until 1997. That year he woke from a dream with a feeling that there was something very important he needed to do. He transitioned from furniture to sculpture and fine art while picking up another degree, an MFA in painting in sculpture. I met him in Fred Lipp’s painting class at the Creative Workshop. After all that school he told me Fred was the best teacher he ever had.
His show, “Painting and Sculpture 2009 – 2019,” at RIT’s University Gallery is an eyeful. The two paintings shown above are my favorites but the large gallery has sculptures and paintings interspersed with one another all competing for your attention in riotous colors.
Bill’s paintings are sculptural. They efficiently (masterly) animate their own physical space and incorporate the environment they sit in just as his sculptures do. The ideas in his paintings on found metal panels spring from the shape of the panel itself. The cut out corner becomes a beam in “Beam” and the angle in “Look Out” leads to another plane. I was particularly attracted to to his sculpture entitled “Pueblo.” In two milk paint colors it is as elegant as a Chillida. The show runs to December 20th so you have plenty of time.