It was perfect weather for Bootsy’s touchdown at the “Party In The Parking Lot” last night. Of course he opened with “What’s The Name of This Town?” and when the cameras came out he said “You gotta take a picture of me because I’m not really here.”
We first saw Bootsy in the seventies at the War Memorial when the Brides of Funkenstein opened the show and Bootsy followed and was then followed by Parliament and Funkedelic. He’s still doing “Telephone Bill” and “Munchies For Your Love” from back then but not “Very Yes” and “I’d Rather Be With You.” With Bernie Worrell on keyboards he did a Hendrix tribute a Sly Stone song and sounded as good as ever but loud as hell.
Last week I read that Jimmy Carl Black, “the Indian in the group” had died. I liked the early Mothers and felt sad. Yesterday’s Rochester paper had a nice tribute to Arthur Deutsch, Danny’s father, who recently passed away. He covered City Hall and politics and crime during what the golden age at the Democrat and Chronicle along side of Henry Clune. He later ran the War Memorial and booked Parliament-Funkadelic on the “Mothership Connection Tour” for the city in 1976. Peggi and I were down front for that one. Anita Ward opened with her hit and then Bootsy stole the show before P-Funk even took the stage. Today I read Mitch Mitchell died after a gig in Portland. He was one of my favorite drummers.
Martin Edic was at the Little Theater Cafe last night for the Margaret Explosion gig and, of course, the conversation. He was raving about “Suzy, Led Zeppelin, and Me” by Martin Millar. “Best book I’ve ever read”. And Martin has read some books. He often finishes books in the bookstore.
But earlier he told us that his dad had just started hospice. When you meet Martin’s parents they quickly become friends because they hang with you. You don’t exchange niceties with them. You engage them in real conversation. Ken Edic is one of the greatest guys in the world.
I spent the morning in the basement working on a painting that required a fair amount of attention to detail. The face I was working on emerges from a white background and I was struggling with the edges so it wouldn’t look like a mask. Every move I made felt heavy handed so I’d paint it out and sneak up on it again. Bootsy Collins’ “Can’t Stay Away”, especially the falsetto refrain, was stuck in my head. I find the only way to deal with something like this is to play the song and exorcise it so I came upstairs and cranked it.
4D Advertising did a cd cover for “The King Allstars” on After Hours Records and I’ve had this Polaroid of Bootsy in my desk drawer since whenever that was. Tom Kohn and Marty Duda brought all the King Records guys to Rochester and recorded them in PCI Studios. We did the packaging for the cassette and lp as well in those days.
Peggi and I saw Bootsy in the late seventies at the War Memorial with Parliament and Funkadelic. Anita Ward opened the show with a twenty minute version of “Ring My Bell”. Don’t get started with that song. That’ll stick in your head for a while. We saw George Clinton in the eighties at the Warehouse in Rochester and Bootsy was a special guest. He was sensational and stole the show both times. What’s Bootsy doin’?